Killer Nashville writers’ conference full of inspiration, fun

Best-selling authors M. William Phelps, left, and John Gilstrap, right, and someday best-selling author G. Robert Frazier, center, seen at the 2015 Killer Nashville writers's conference.

Best-selling authors M. William Phelps, left, and John Gilstrap, right, and someday best-selling author G. Robert Frazier, center, seen at the 2015 Killer Nashville writers’s conference.

by G. Robert Frazier

The Killer Nashville writers’ conference has come and gone, I’ve had a day or two to decompress, and now it’s time to share some takeaways.

Overall, the conference was an enjoyable and educational experience. Kudos go to conference founder Clay Stafford, Jaden (Beth) Terrell, staff and volunteers. Everyone was especially friendly and helpful. The conference included three days of panels (as many as five panels running simultaneously every hour or so), breakout sessions, roundtable pitch sessions with agents and editors, guest lectures, autograph signings, and social gatherings. There were a few last-minute changes of rooms and panel lineups, and even a few technical glitches with the in-room audio systems, but somehow they managed to pull it off without too much confusion or frustration to the attendees.

killer nashville bookA highlight of the event was the book launch for the first-ever Killer Nashville anthology, Cold-Blooded. I managed to get autographs from most of the authors who attended. (Somehow I missed you Paula Benson!) Can’t wait to read all the stories and setting my sights on being a part of next year’s anthology!

I met a lot of other writers in attendance, “friended” their Facebook sites, and followed their Twitter accounts. (If you’re reading this and I didn’t get to you, just like me on Facebook and follow me @grfrazier23 and I’ll return the favor.) I encourage everyone to stay in touch. Writing is a lonely business and we can all use each other’s support and encouragement.

The conference’s guests of honor -– best-sellers John Gilstrap, M. William Phelps, and Robert K. Tanenbaum — were each fantastic. Clay Stafford did a great job interviewing each of them and getting them to share wonderful stories about the business of writing.

M. William Phelps

M. William Phelps

Phelps opened the conference with the talk: “Crime Pays: Books, Television and Film – The Explosion of the (Serial) Killer Genre,” sharing insights into the true nature of serial killers contrasted with the entertainment world’s depiction of such killers. He also provided attendees with the true story behind his hair (it’s about branding and marketing, ways to make you stand out in a crowd)!

Gilstrap provided the most moving and uplifting speech of the weekend with his “Dare to Dream” segment. He said the secret to finding writing success is to persevere. Keep believing in yourself even when others don’t.

Gilstrap also had the best, most memorable quotes from the weekend:

  • “The smartest conversations you will ever have is with writers.”
  • “I’m of the belief that we don’t value dreaming enough.”
  • On Hollywood: “You count your fingers after you shake hands.”
  • “Every success is preceded by rejection and failure.”
  • On writing: “The act of stopping is the act of surrendering.”
Murder She Wrote authors Donald Bain and Renee Paley-Bain sign a copy of their latest book in memory of my mother, one of their biggest fans.

Murder She Wrote authors Donald Bain and Renee Paley-Bain sign a copy of their latest book in memory of my mother, one of their biggest fans.

The award for friendliest authors has to go to Donald Bain and Renee Paley-Bain, co-authors of the best-selling Murder She Wrote series. My mother was a huge fan of the Murder She Wrote series and loved the books. The Bains signed a copy of their newest book in her memory and I enjoyed a lengthy conversation with them about the series.

Robert K. Tanenbaum was by far the best-dressed author. Believe it or not, this was his first-ever conference appearance!

Best-hair belonged to M. William Phelps.

Following are some other highlights and observations, as well as my personal rankings on the panels and events I attended (one star being fair, two stars being good, three stars being very good and four stars being excellent):

  • Get A Literary Agent**** with literary agent/best-selling author Sheree Bykofsky. A great kickoff to the event on Thursday, Bykofsky provided practical advice on how to write a query letter and how to make a verbal pitch to agents. She was knowledgeable, encouraging, funny, and, perhaps above all, approachable. Plus, I won a free book from her for my “elevator” pitch.
  • Pacing Your Novel*** — The panelists here had a lively discussion about tips and tricks to keep your thriller novel moving. As panelist Don Helin pointed out, “Emotion is what drives real suspense.” Panelist Ken Vanderpool said he ranks each chapter he writes by the amount of tension it creates on a 1 to 10 scale, so that when you then look at a series of chapters together they should resemble a heartbeat graph with ups and downs along the way. And hey, they even had handouts! I love handouts.

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  • Crime Scene/Dupin Detective Award*** — Dan Royse, assistant director of the Tennessee Bureau of Investigation, created a mock crime scene for participants to solve, complete with evidence to log and process, video interviews with “witnesses,” and a floorplan/grid on which to outline the murder scene and evidence found. The sheer amount of clues and information to be processed was remarkable in itself and gave me a new respect for the true men and women of law enforcement. All those TV shows fail to capture the true details that go into solving crimes.
  • Getting it All Done: Time Management for Writers**** — Another great panel, focusing on how to keep procrastination at bay and how to shut off your internal editor as you write. Author/panelist Jonni Rich suggested always ending each writing session on an upbeat note so that you’re excited when you get back to it. Lynn Cahoon suggested using apps like Freedom and Self Control to keep you off the internet until your writing session is over. “It takes courage to open that word document,” she said. “Your book has to take priority.” This panel proved to be time well spent.
  • How to Write A Thriller*** — Author David Bell described the thriller as stories of “ordinary people in extraordinary circumstances.” “It should engage the heart as much as your head,” he said. Bell is a proponent of outlining because it gives no excuse for writer’s block. Recommended reading from the group: any John Sandford novel or early Robert Ludlum. For young adult genre writers, visit the Better Novel Project for a breakdown on how to write YA.
  • How to Write Effective Scenes*** — Philip Cioffari did a great job of breaking down scenes into their core elements and showing how writers can craft the best scenes possible. One trick: be aware of what’s going on in both the foreground and background of your scenes. It’s stuff most writers have encountered before, but served as good refresher material and good introductory material for writers just starting out. I was disappointed to have to leave the session early because of an agent roundtable I had scheduled.
  • How to Write Speculative Fiction** — This panel never really found its footing. I was eager to hear from writer about writing in the horror, sci-fi, paranormal genres, but they spent the first half of the session addressing more routine matters, such as outlining or “pantsing.” At that point I left to find a panel that was more on topic.

One astounding fact was that nearly everyone in attendance was already published. Whether with a traditional publisher, indie publisher or self-published, they all had books for sale or to talk about and they all managed to get onto a panel. It was discouraging in a way for anyone unpublished, but also encouraging in that if all these people can get published, there’s no reason anyone just starting out can’t too. The Killer Nashville folks recorded all the sessions and plan to make them available to attendees. I’m eager to see and hear what I missed.

Neither of the ticketed bonus sessions I attended were worth the extra money. (Lesson learned for the next time I attend.) The final event, in fact, was a big disappointment. It was supposed to bring together six of the agents attending the conference for a panel on what agents really want, but only half of them showed up. The others went home early. Not good when you’ve paid extra money for that session and you only get half of what was promised.

Lastly, I would be remiss if I didn’t talk about the venue. The Omni Hotel in Nashville was spacious (maybe just a bit too large) and clean, convenient to downtown, and elegant (and a bit cold). There were plenty of spaces to relax outside of the panel rooms to catch up with other authors or to just sit and unwind. The art adorning the walls was spectacular to look at, as were the views from the large windows. Even the patterns on the carpet and the chandeliers in the conference rooms were impressive.

All in all, I’d say Killer Nashville 2015 killed it.

More on Killer Nashville:

Anthology commemorates 10 years of Killer Nashville – BookPage

Killer Nashville shiny, bright – Mudpies and Magnolias

An interview with Killer Nashville author C. Hope Clark – The Reading Frenzy

A Conversation with Killer Nashville author Maggie Toussaint – Omnimystery News

Killer Nashville packed with informative panels, best-selling authors

Killer Nashville logo

by G. Robert Frazier

This weekend’s Killer Nashville writer’s conference, which actually gets underway Thursday, promises four days of education, networking, and fun for mystery and thriller writers.

Now that I’ve decided to attend (and catch the Austin Film Fest next year), I’m faced with another set of choices. Like many conferences, the event features a number of panels running concurrently with one another, which means I will have to pick and choose which ones to attend and which ones to skip.

Not exactly an easy task, I might add.

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Bargain ebook shopping good way to discover new authors

I recently came across this interesting article about bargain ebook buyers, who they are, what they’re reading and so on.

Take a moment to read it, I’ll wait….

OK, back with me? Good.

kindle screenPersonally, I fall in the category of “see a good bargain, snatch it up, read it later.” In my case, “later” may be a ways off since I have so many print books to catch up on, and you already know I prefer print books over ebooks. But still, if I see an ebook that looks promising, and it’s at a good price, I’ll pick it up. (I especially like the free ones. Check out BookBub or Robin Reads).

One of the coolest things about ebooks is the exposure you get to new authors. I’m not afraid to try a new author here or there. I’ve got plenty of favorites, but every once in a while I want to try something new, something different. That’s one of the things I like about Blogging for Books, which sends you new books (in either digital or print formats) in exchange for honest reviews. I likely would not have read any of the authors in their stable if it weren’t for this program. I’m glad to say I’ve come across some authors I’ve enjoyed, including Andy Weir, Tom Cooper, and Peter Clines.

I used to be the same way with music. I’d always buy some obscure group at Best Buy or Media Play (anyone remember Media Play?) rather than the more popular, well-known band, because there is nothing like discovering a new favorite just by taking a risk. Hell, I bought Motley Crue and Guns n’ Roses before they were cool! I was the same way during my concert-going days. I’d always go early to catch the opening acts, even though the venue would be half empty and everyone else only seemed to care about the headliner. But, how else do you get the thrill of discovering an up and coming band that can in turn become your favorite new band if you don’t give them a try? My brother and I (and half of Nashville, mind you) were recently blown away by Vintage Trouble, the opening act for The Who at the Bridgestone Arena. So good! But if we hadn’t gone to the concert early, we may never have experienced the joy that is this band. (Although, I rather think it won’t be long before the rest of the world catches up in learning what a great band Vintage Trouble is!)

Bottom line, if you don’t like the unheard of author, close the book. But who knows? You may be reading the next best-selling author. Or, you may just find the book an enjoyable change of pace from the ordinary. You won’t know if you don’t try it. And, get this, if you like the author, you can always pass the word. Heck, you can help make or break careers, when you think about it.

(Now, getting past the covers of some books, especially those in the self-published pile, is another matter entirely. If the cover looks silly or amateurish, or the back cover copy is sloppy or poorly written, you can bet the inside of the book will be too. So, yeah, I do judge books by their cover. Don’t you?)

But, getting back to the matter of ebooks…Another encouraging aspect about the above post is that the ebook readers are serious readers looking for a good read, and they are willing to put down good money in search of that read. That’s good to know. So, even though I personally prefer print, I will make every effort when the time comes to make certain all of my stories are available in whatever format my readers are most comfortable with, including ebooks.

Do you really own your ebooks?

On another related topic, those ebooks you think you’ve been buying? They may not belong to you after all. Read this to see why, then come on back to read the rest of this post.

So, not only do Amazon and other ebook companies know what you’re reading and how far you’ve read, but they can take your ebook away from you if you violate their terms of service.

I don’t know about you, but I don’t think they should be allowed to do that, no matter what the terms are. Once you buy something, it’s yours. Plain and simple. Take something away from me after I’ve put real money down for it,  I’ll take you to court for theft.

In other ebook news, the city of New York is now partnering with Amazon to bring school text books to students in the form of ebooks.

Finally, if this topic has been too serious for you and you’ve made it this far, here’s something fun you can’t do with ebooks.

Do you read ebooks? Do you buy the bargain ebooks or go for more established authors? Feel free to start a discussion in the comments section.