Books: Donaldson’s novel recreates flavor of Justified

The More They DisappearIf there’s anyone out there still lamenting the absence of Elmore Leonard’s “Justified” on TV, you can get your fix of small-town Kentucky criminals in Jesse Donaldson’s debut thriller, The More They Disappear.

The novel starts with the shocking assassination of longtime Kentucky Sheriff Lew Mattock at his own re-election campaign barbecue and quickly escalates into a thrilling manhunt for his killer.

Chief Deputy Harlan Dupee steps up as acting sheriff to investigate the shooting, following a trail of dark secrets amid the townsfolk he only thought he knew. Along the way he discovers his former boss wasn’t as upstanding a lawman as he believed. At the root of everything is a prescription drug trade that has its hooks in everyone, from the town’s most innocent children to even its most prominent citizens.

Read the full review now at BookPage.

Stephen King entertains, scares Ryman audience

by G. Robert Frazier

NASHVILLE, TN — Stephen King doesn’t let his scary side out. Instead, when he hits the road to meet and greet fans or to talk about his newest book, End of Watch, it’s Public Steve who shows up.

photo by Shane Leonard

Stephen King / photo by Shane Leonard

Fans typically want to see Scary Steve, the mind behind such classic novels as It, Carrie, and Salem’s Lot. But Scary Steve doesn’t travel. He works three to four hours a day holed up somewhere in the wilds of Maine coming up with ways “to scare the shit out of you.” If you’re Scary Steve, it’s what you do.

Home Steve is just a regular joe, hanging out at the house, watching ballgames on TV, going to the market, or cleaning up after the dog. Home Steve, as you might surmise, stays at home.

Public Steve is far better suited to book signings and lectures. He’s surprisingly entertaining, light-hearted, and fun. As King puts it, “Public Steve does a lot of deflection so that you don’t look for Scary Steve.”

King talked about the “three faces of Steve” while making a stop at the historic Ryman Auditorium in Nashville on his End of Watch book tour in June. The venue – known as the church of country music and birthplace of the Grand Ole Opry – was crammed with 2,300-plus of his constant readers on a night when downtown Nashville was abuzz with the annual CMA (Country Music Association) Festival and nearby Manchester was overrun with ‘Roonies (short for Bonnaroo fans), a fact that didn’t go unnoticed by the 68-year-old author.

“Everything is happening in Nashville this weekend,” he said, “and look at this place — full of people who read books.”

“If you have a gift, at some point it wakes up and it speaks to you and says this is what you’re supposed to do.”

— Stephen King

King received a standing O as he stepped on stage, remarking, “Well, it’s all downhill from here.”

In actuality, he was just getting started. Given the setting, King fittingly regaled the audience with stories about his own musical talent as part of the Rock Bottom Remainders, a group of authors able to play a  limited number of musical chords and sing a few cover songs.

“I’m going to talk about writing, but I’m in the Ryman so cut me some slack,” he joked.

King is a country music lover at heart.

“For me, country music was shit-kicking music,” he said about growing up. “There was nothing on the radio but country music and Rush Limbaugh, so I started listening to country music.”

Thankfully, he didn’t hop on a bus and come to Nashville all those years ago to pursue some dream of being a country music star. Instead, he found his calling in writing horror fiction. In a box. In the attic.

“If you have a gift, at some point it wakes up and it speaks to you and says this is what you’re supposed to do,” King said.

For King, the writing bug inside him awoke upon reading some of his dad’s pulp novels found in that attic, specifically H.P. Lovecraft’s The Thing From the Tomb. “Whatever it was, awoke in me.”

Over the course of 40-plus years since then, King’s writing has resulted in countless bestsellers and sleepless nights for avid readers. He knows what scares you, as the saying goes. The secret, he explained, boils down to two things: One, make readers care about the characters, and two, make it real.

To drive the point home, he let Scary Steve out of the box for just a moment. He noted that many people in the crowd were probably so excited about being there, they’d forgotten to lock the car door. That maybe while they were sitting listening to him, some stranger was trying the door to their car. That some stranger was perhaps slipping into the back seat of the car.

“I guarantee when you go to your car tonight, you’ll look in the back seat first,” he said. In order to scare people, “you have to plant the seed first.”

King admitted he sometimes even scares himself.

“People ask me if I ever scare myself,” he said. “I get scared, but when I’m writing I feel in control. I’m behind the scenes.”

That’s not to say writing is easy.

“The voice I have on most days is, this is great, keep going,” he said. “But you also have days where you feel like you’re wearing gloves and nothing has texture to it. The trick is to keep going. Writing a novel, it’s no job for sissies.”

Quotable Stephen King:

  • On fans: “People sometimes tell me, ‘you’re on my bucket list.’ That’s so goddamn weird.”
  • On critics: “The critics initially hated me. I decided, I’ll just keep writing and pretty soon they’ll all be fucking dead.”
  • On politicians: “Listen, you politicians, you oughtta thank God you can flush after you go to the bathroom.”
  • On TV: “TV is in a place it hasn’t been in in years. They are doing things that movies can’t.”
  • On what you should read next: The Fireman, written by his son Joe Hill
  • On what he’s writing next: King is working on a book with son Owen, Sleeping Beauties, due out in 2017. The book will be published by Scribner.
  • On advice to writers: Secrets to success
  • New short story: “Cookie Jar”
  • More from the tour: An entourage of one

 

Around the Web: More advice and articles for writers and readers

by G. Robert Frazier

Every once in a while I like to share some of the stories and advice articles on writing I come across in my wanderings around the interwebs. So, for better or worse, here’s this month’s collection of links for your reading pleasure:

Columnist Riki Cleveland offers six habits of prolific writers and how to make them yours on litreactor.com.

“Writing is an act of thievery,” according to Khalid Hosseini, author of Kite Runner. “You adapt experiences and anecdotes for your own purposes.” For both the memoirist and the novelist are inevitably inspired by the people they have met, and will make use of them to suit their purposes. This may not strictly be plagiarism, but it is similar territory. Read more about how writers will steal your life and use it in this excerpt from How to Write Like Tolstoy (Random House) by Richard Cohen for fiction here.

Everyone’s heard of the self-publishing success by authors such as Andy Weir (The Martian) and Hugh Howey (Wool), so it’s also refreshing to see a literary agent like David Fugate taking note of self-publishing books. “I’m a huge fan of self-publishing (in all its myriad forms) and what it has done for both authors and readers. I think it’s amazing that it’s no longer a question of if your work will be published, but how,” he said in a recent interview with Reedsy. “My advice for anyone who wants to self-publish first is: do it well. And if you’re unsure about whether you want to traditionally publish or self-publish my advice is often to try traditional publishing first. If you approach it the right way, you can figure out very quickly if it will work with a traditional publisher. And if not, you can always self-publish and all you’ve lost is a little time. However, for anyone who wants to self-publish their book first, the key is to make sure you really go for it. Don’t just put it out there and hope that readers will somehow discover it. Have a marketing plan and pursue it with more of an entrepreneurial mindset. That can be difficult for some authors, but given the amount of noise out in the market, if you want to really give your work a chance to do well, you have to do what it takes to let readers know it’s out there.”

What Walt Disney knows about storytelling

The 2016 O. Henry Prize Stories are out. Some of these stories are available to read online (just follow the links), while others will have to wait for September’s publication of the annual O. Henry anthology. Speaking of the O. Henry Prize Stories, reader Kelly Luce shares some insights gained from reading every short story published in 2014-15 in search of the top twenty for the anthology.

Apparently, in New York, in the latest transgender equality law, you can be fined by not calling a person by the pronoun they wish to be called by. If a person wants to be called “ze,” for instance, instead of he or she, and an employer or business professional refuses to honor that wish, they can seek legal recourse. This could make for some interesting written exchanges in your stories and screenplays.

If you weren’t all that thrilled by Batman v. Superman: Dawn of Justice, and a lot of people apparently weren’t, you might want to seek out the books on this list of Superman comics you must read.

Author Matthew Norman posted a column that’s gotten a lot of attention from authors: What to do when no one shows up to your reading. I haven’t had the pleasure of that situation yet, but one thing I would do is try to work the bookstore crowd beforehand. Approach the book buyers and give them a bookmark and ask them to come to your reading. At least that’s better than just sitting in your car twiddling your thumbs hoping someone shows up.

The most enlightening article I’ve read on what makes fiction literary, as explained by author and literary agent Donald Maass (who else!).

And, just for a laugh, novelists warned about drug-resistant strain to writer’s block.

Lithub is now aggregating book reviews from across 70 sites into a sort of Rotten Tomatoes, called Book Marks. Here’s how it works.

Columnist Jane Friedman puts recent news about declining ebooks sales in favor of print into perspective with this column. Buyers who are shunning higher ebook prices from traditional publishers, an increase in adult coloring books, and the rise of indie publishers and self-publishers are the keys to the fluctuating numbers, she says. Nielsen reports that about 12 million coloring books were sold in 2015. Compare that to just 1 million in 2014. The increase is so dramatic that coloring books alone can account for the increase in print sales in 2015.

The WGA (Writers Guild of America) has unveiled a new diversity database. Writers can opt to identify themselves by race, sex, age, languages they are fluent in, and, of course, sexual preference. There’s even an opt in to identify whether they have a disability. Producers or filmmakers in turn can search the database to find writers matching their needs. The whole idea is in response to the continuing outcry over the lack of diversity in Hollywood, both on screen and off screen. Not everyone is rushing to embrace the “list,” however. TV comedy writer Susan Hurwitz Arneson tells ScreenwritingU Magazine that she’s not about to “out myself on something that may be perceived as a negative, or might prevent me from getting staffed.”

The first books in James Patterson’s new Bookshots series of shorter, more digestible books are hitting stores and available to purchase online now.

Author Erik Larson recounts how he looks for fascinating, complex real-life characters to bring his historical books to life.

The Atlantic published an interesting article this week on why women are writing the best crime novels.

Feel free to add any links to writing and reading articles you may have come across in the comments section.

Around the Web UPDATE: TN governor vetoes plan to make Bible official state book

By G. Robert Frazier

From time to time, I like to share and/or comment on interesting stories about writing and reading that I come across on the web. Here’s a few such stories to chew on:

UPDATED: Tennessee Gov. Bill Haslam has vetoed legislation that would have made the  Bible the official state book. Had the measure been approved, Tennessee would have been the only state in the country to name the Bible as an official symbol. Critics argued the proposal is unconstitutional, since the Constitution calls for a separation of church and state. The Tennessee chapter of the American Civil Liberties Union says it is “a thinly veiled effort to promote one religion over other religions” and urged Haslam to veto it. But proponents cited the “historical and cultural significance” and noted the importance of Bible publishing to Nashville and the book’s use as a genealogical record. Harper Collins Christian Publishing is headquartered in Nashville.

The Hollywood Reporter says a long-running feud between John Steinbeck’s heirs and Hollywood has prompted a new court filing. The battle over copyrights may affect Stephen Spielberg’s planned adaptation of Grapes of Wrath.

Best-selling author James Patterson has been selected by AASL President Leslie Preddy as the 2016 Crystal Apple recipient. The honor is awarded to an individual or group that has made a significant impact on school library programs and students. A staunch school library advocate, Patterson has dedicated both time and funds to promote the ways school libraries transform a child’s educational career.

Patterson is launching a new line of short novels that he hopes to sell at supermarket checkout lanes. There’s a growing trend for shorter works, thanks to the attention-starved world we live in now. I’m actually not against the notion. Some of today’s bestsellers that number in the 500- to 600-page range or more are just grossly overwritten.

DBW features a great interview with author Hugh Howey on the state of publishing and the advantages of self-publishing over traditional publishing. While many people still look at traditional publishing as the means to legitimacy, authors like Hugh Howey are proving that self-publishing today is making huge inroads in that regard. More control over your works, the ability to publish quicker and the lure of bigger royalties over traditional publishing are certainly factors to consider. But regardless of which route writers choose, there better be a damn fine book to read in the end. That’s how writers will ultimately make a name for themselves.

Read any good articles lately? Share a link in the comments section.

 

Review: The Passenger by Lisa Lutz a study in do-overs

The Passenger

Have you ever wanted to just run away and start over as someone else? The main character in Lisa Lutz’s new novel does just that — time and time again.

You can read my review now at BookPage.

Review: Buckle up for Philip Donlay’s latest, Pegasus Down

by G. Robert Frazier

Before you crack open Pegasus Down (Oceanview Publishing), the new novel byPhilip Donlay, you better buckle up: You’re in for a hell of a ride. This action-thriller soars from start to finish with page-a-minute suspense and thrills to keep you riveted to your seat, just like an on-screen summer blockbuster.

Pegasus DownDonlay drops readers, and one of his main characters, right into the fray in his opening chapter as a CIA-operated Learjet crashes behind enemy lines somewhere in Eastern Europe. On board are Special Agent Lauren McKenna, code name “Pegasus”, and a recently liberated American scientist who possesses technological plans for a new stealth jet capable of delivering a nuclear device.

McKenna manages to swim free of the wreckage, and must immediately go on the run from foreign forces and a terrorist group that will stop at nothing to obtain the technology.

Read my full review at Killer Nashvillle.

Around the Web: A roundup of articles on reading and writing

by G. Robert Frazier

As you know, I occasionally like to list a roundup of interesting articles about reading and writing. I’ve been meaning to add a new list for a while but have been busy writing, so the list just kept getting bigger and bigger. Herewith, then, is my latest collection for your reading enjoyment. Feel free to comment about any of the items that strike you or post links to articles you’ve come across. 

President Obama will nominate Carla D. Hayden to be the Librarian of Congress; Hayden would be both the first African-American and the first woman to hold the position.Speaking of diversity, blogger Jenny Bhatt wrote this interesting article on

Speaking of diversity, blogger Jenny Bhatt wrote this interesting article on diversity in publishing. The publishing industry should certainly encourage and promote diverse authors when it can, especially based on the statistics, but what we don’t need is a box on submission forms asking the writer’s color or sexual preference. Let’s let our words speak for us, not the color of our skin.

James_Patterson

The LA Times Book Prizes will honor U.S. poet laureate Juan Felipe Herrera and novelist James Patterson. Additionally, five finalists were announced in 10 categories. Patterson is currently sponsoring a contest in conjunction with his online master writing course in which he pledges to co-author a book with the winner of the contest. The catch is it costs $90 for the course and your chances of winning are probably as good as winning the next Powerball jackpot. Still, could you imagine what it would mean to have your name on a book alongside Patterson’s? Talk about a career highlight! I am very tempted to give it a shot. It’s only money, right? And, at the very least, you do get the benefit of learning in his writing course.

The Horror Writers Association has announced its final ballot for its annual Bram Stoker Awards. I so want to read all of these books. But more importantly, I want to be on this list some day. I’ve got a horror novel in the works that I hope to dust off in the next few months.

While we’re talking about genre, which is more important? Literary or genre fiction. Join the debate here. Personally, I’m a genre writer. I like characters that do things, action and mystery. I feel you can explore plenty about the human soul by putting your characters in unusual and moral situations while still being entertained.

The PassengerNPR talks the latest trend in crime thrillers: The ‘Girl’ in the title. Even more interesting are the comments at the bottom of the article, so be sure to read through. I just finished reading a “Gone Girl” type novel called The Passenger, by Lisa Lutz. See my review at BookPage.

If you missed it when it was first posted, here’s Christopher Walken reading “The Raven” by Edgar Allan Poe.

The New Yorker recently cited T.S. Eliot as offering this advice on What Makes Great Detective Fiction.

Here’s a great way to get to know your characters. Interview them and ask these probing questions that CEOs sometimes ask on new hire interviews.

I’ve been saying it all along. There’s just something more to like about an actual print book than a bunch of digital letters flashed on your e-reader. According to a recent study, 92 percent of students agree.

Any sci-fi writers reading this? If so, have you ever wondered what it means to be a science fiction writer in the 21st century? That’s what author Charlie Jane Anders asks in this article over on io9.gizmodo.com.

Author Jo Nesbo has the perfect writing room. He never uses it.

To the sensory cortex in your brain, reading is the same as doing. The words you choose not only have the power to change your readers’ minds. They can also change their brains, according to new neurological research.

Publishers Weekly posted a different sort of list recently: 10 books about loneliness. The cool thing being that in examining loneliness, they also serve as an antidote to it.

Here’s a take on the ever-raging debate of pantsing versus plotting from The Atlantic. It’s from a 2013 article, but still plenty relevant for writers wrestling over how best to approach their craft.

The battle lines have been drawn again against The Huffington Post over its policy of not paying writers for their work. Some interesting reads on the subject (and make sure you read the comments as well to further the debate) at Writer Unboxed, from Chuck Wendig, and Huffington Post UK editor in chief Stephen Hull.  For more on writers getting paid for what they do, check out Kristen Lamb’s blog.

It’s been a while since I’ve posted one of these roundups, and a week since this happened, but it’s fitting that we pay tribute to Harper Lee, the author of To Kill a Mockingbird, and Umberto Eco, author of The Name of the Rose, who both passed away recently. In memoriam, BookBub posted seven timeless quotes from Harper’s book, while Eco left this advice for writers.

Have you come across any interesting reads for writers? Share a link in the comments section.

Review: A Better Goodbye takes look at gritty underside of L.A.

by G. Robert Frazier

A Better GoodbyeYou know how they always say you shouldn’t judge a book by its cover? In the case of A Better Goodbye (Tyrus Books), this is one instance in which you certainly could. The cover of John Schulian’s debut novel depicts a brilliant yellow and orange sunset over the dark and gritty cityscape of Los Angeles. It’s a perfectly fitting image, as it represents the murky lifestyle Schulian paints beneath the brilliant sparkle and glamour of the movie capital of the world.

It’s in this milieu, right on the fringes of tourist-friendly Hollywood, that we find Schulian’sunforgettable cast of down-and-out characters. They’re not the sort of characters you’d want to associate with, but you can sympathize with their plight. And like any good noir novel, the lives of Schulian’s characters are irrevocably intertwined and destined to come crashing down in a bloody finale.

Read the full review at Killer Nashville.

Around the Web: Advice and trends for the writer

by G. Robert Frazier

I peruse a lot of online articles about writing and reading every day in order to further educate myself on the craft as well as stay up on recent trends. Some of the articles also provide entertaining reads. Because I’m such a swell guy, I occasionally like to share what I’ve come across in this blog. Herewith are some writing-related missives to fill your head:

I came across this interesting blog from Annie Neugebauer, who attended last year’s World Horror Con and asked some of the biggest horror authors in the game what scares them.  I have to agree with Jack Ketchum that Alzheimer’s is a scary disease to contemplate, both for the person experiencing the disease and for family members. But from a writing standpoint, losing all my stories to some computer virus or hard drive crash would rank right up there. Thank God for the Cloud!

Speaking of horror, the Horror Writers Association released its 2015 Bram Stoker Awards Preliminary Ballot this week, with its members voting through February. Should be interesting to see which books rise to the top and eventually make their way to my never-ending reading list. Naturally Stephen King’s Bazaar of Bad Dreams made the list, as did Clive Barker’s latest Hellraiser opus, The Scarlet Gospels, two books I am looking forward to reading.

If horror’s not your thing, the 2016 Edgar Award nominations were also announced this week. Winners will be announced at the 70th Annual Edgar Awards Banquet, which will be held at the Grand Hyatt Hotel in New York City on April 28.

Electric Lit featured this look at the debate about including cultural pop references in your novel versus trying to set your novel in the eternal present.

Any short story writers reading this? Here are some inspiring quotes about the art of the short story to fuel your head.

One of the most common pieces of writing advice you’ll come across is to write every day. But in this article, author Daniel Jose Older takes issue with that advice and believes that what stops more people from writing than anything else is shame. “That creeping, nagging sense of ‘should be’, ‘should have been,’ and ‘if only I had…’ Shame, and the resulting paralysis, are what happen when the whole world drills into you that you should be writing every day and you’re not.” Older believes that “no one can tell you how to manage you’re writing process.” Everyone has to figure that out for themselves.

The Washington Post recently published an article about how used book stores are making a comeback. But author/blogger Kristen Lamb argues in a recent post that buying used essentially “robs” authors from getting paid. Salon responded that Lamb isn’t seeing the bigger picture of used book sales. As a writer, I can definitely see Lamb’s point. Writers don’t make much money as it is and for their work to be resold through used outlets with no remuneration doesn’t seem fair. But Salon’s point is also valid in that it could potentially lead someone to purchase other books in your canon. Personally, I buy new print books whenever I can as they are more presentable on my bookshelves, they don’t smell bad, and the pages are germ-free. But, from time to time, I will buy used, especially if a book is out of print or otherwise impossible to come by. I occasionally resell some books I’ve read at discounted prices on eBay, but I always try to sell them in a like new condition rather than one with bent covers, creases in the spine, or marked pages. The author might not be getting any kickback from the resale, but I don’t mind a few extra bucks going in my pocket here and there.

Finally, you know what they say about how writers should just type and not let their internal editor get in the way of their writing? That the best thing to do is just get your words down on paper as fast as you can? That a shitty first draft is to be expected? Well, here’s something else to consider: According to a research study at the University of Waterloo, if you want to improve the quality of your writing, type slower.

They may have a point, but I haven’t got time to type slower. I’ve got far too many ideas in my head that I’m trying to get down on paper. I’ll worry about prettifying my prose when I do my rewrites.

Garth Risk Hallberg, on the other hand, who wrote the giant 1,000-page City On Fire, maybe should have taken their advice to heart. If he had, maybe he could have avoided these truly cringe-worthy sentences that you just have to read to believe.