Stephen King entertains, scares Ryman audience

by G. Robert Frazier

NASHVILLE, TN — Stephen King doesn’t let his scary side out. Instead, when he hits the road to meet and greet fans or to talk about his newest book, End of Watch, it’s Public Steve who shows up.

photo by Shane Leonard

Stephen King / photo by Shane Leonard

Fans typically want to see Scary Steve, the mind behind such classic novels as It, Carrie, and Salem’s Lot. But Scary Steve doesn’t travel. He works three to four hours a day holed up somewhere in the wilds of Maine coming up with ways “to scare the shit out of you.” If you’re Scary Steve, it’s what you do.

Home Steve is just a regular joe, hanging out at the house, watching ballgames on TV, going to the market, or cleaning up after the dog. Home Steve, as you might surmise, stays at home.

Public Steve is far better suited to book signings and lectures. He’s surprisingly entertaining, light-hearted, and fun. As King puts it, “Public Steve does a lot of deflection so that you don’t look for Scary Steve.”

King talked about the “three faces of Steve” while making a stop at the historic Ryman Auditorium in Nashville on his End of Watch book tour in June. The venue – known as the church of country music and birthplace of the Grand Ole Opry – was crammed with 2,300-plus of his constant readers on a night when downtown Nashville was abuzz with the annual CMA (Country Music Association) Festival and nearby Manchester was overrun with ‘Roonies (short for Bonnaroo fans), a fact that didn’t go unnoticed by the 68-year-old author.

“Everything is happening in Nashville this weekend,” he said, “and look at this place — full of people who read books.”

“If you have a gift, at some point it wakes up and it speaks to you and says this is what you’re supposed to do.”

— Stephen King

King received a standing O as he stepped on stage, remarking, “Well, it’s all downhill from here.”

In actuality, he was just getting started. Given the setting, King fittingly regaled the audience with stories about his own musical talent as part of the Rock Bottom Remainders, a group of authors able to play a  limited number of musical chords and sing a few cover songs.

“I’m going to talk about writing, but I’m in the Ryman so cut me some slack,” he joked.

King is a country music lover at heart.

“For me, country music was shit-kicking music,” he said about growing up. “There was nothing on the radio but country music and Rush Limbaugh, so I started listening to country music.”

Thankfully, he didn’t hop on a bus and come to Nashville all those years ago to pursue some dream of being a country music star. Instead, he found his calling in writing horror fiction. In a box. In the attic.

“If you have a gift, at some point it wakes up and it speaks to you and says this is what you’re supposed to do,” King said.

For King, the writing bug inside him awoke upon reading some of his dad’s pulp novels found in that attic, specifically H.P. Lovecraft’s The Thing From the Tomb. “Whatever it was, awoke in me.”

Over the course of 40-plus years since then, King’s writing has resulted in countless bestsellers and sleepless nights for avid readers. He knows what scares you, as the saying goes. The secret, he explained, boils down to two things: One, make readers care about the characters, and two, make it real.

To drive the point home, he let Scary Steve out of the box for just a moment. He noted that many people in the crowd were probably so excited about being there, they’d forgotten to lock the car door. That maybe while they were sitting listening to him, some stranger was trying the door to their car. That some stranger was perhaps slipping into the back seat of the car.

“I guarantee when you go to your car tonight, you’ll look in the back seat first,” he said. In order to scare people, “you have to plant the seed first.”

King admitted he sometimes even scares himself.

“People ask me if I ever scare myself,” he said. “I get scared, but when I’m writing I feel in control. I’m behind the scenes.”

That’s not to say writing is easy.

“The voice I have on most days is, this is great, keep going,” he said. “But you also have days where you feel like you’re wearing gloves and nothing has texture to it. The trick is to keep going. Writing a novel, it’s no job for sissies.”

Quotable Stephen King:

  • On fans: “People sometimes tell me, ‘you’re on my bucket list.’ That’s so goddamn weird.”
  • On critics: “The critics initially hated me. I decided, I’ll just keep writing and pretty soon they’ll all be fucking dead.”
  • On politicians: “Listen, you politicians, you oughtta thank God you can flush after you go to the bathroom.”
  • On TV: “TV is in a place it hasn’t been in in years. They are doing things that movies can’t.”
  • On what you should read next: The Fireman, written by his son Joe Hill
  • On what he’s writing next: King is working on a book with son Owen, Sleeping Beauties, due out in 2017. The book will be published by Scribner.
  • On advice to writers: Secrets to success
  • New short story: “Cookie Jar”
  • More from the tour: An entourage of one

 

Around the Web: More advice and articles for writers and readers

by G. Robert Frazier

Every once in a while I like to share some of the stories and advice articles on writing I come across in my wanderings around the interwebs. So, for better or worse, here’s this month’s collection of links for your reading pleasure:

Columnist Riki Cleveland offers six habits of prolific writers and how to make them yours on litreactor.com.

“Writing is an act of thievery,” according to Khalid Hosseini, author of Kite Runner. “You adapt experiences and anecdotes for your own purposes.” For both the memoirist and the novelist are inevitably inspired by the people they have met, and will make use of them to suit their purposes. This may not strictly be plagiarism, but it is similar territory. Read more about how writers will steal your life and use it in this excerpt from How to Write Like Tolstoy (Random House) by Richard Cohen for fiction here.

Everyone’s heard of the self-publishing success by authors such as Andy Weir (The Martian) and Hugh Howey (Wool), so it’s also refreshing to see a literary agent like David Fugate taking note of self-publishing books. “I’m a huge fan of self-publishing (in all its myriad forms) and what it has done for both authors and readers. I think it’s amazing that it’s no longer a question of if your work will be published, but how,” he said in a recent interview with Reedsy. “My advice for anyone who wants to self-publish first is: do it well. And if you’re unsure about whether you want to traditionally publish or self-publish my advice is often to try traditional publishing first. If you approach it the right way, you can figure out very quickly if it will work with a traditional publisher. And if not, you can always self-publish and all you’ve lost is a little time. However, for anyone who wants to self-publish their book first, the key is to make sure you really go for it. Don’t just put it out there and hope that readers will somehow discover it. Have a marketing plan and pursue it with more of an entrepreneurial mindset. That can be difficult for some authors, but given the amount of noise out in the market, if you want to really give your work a chance to do well, you have to do what it takes to let readers know it’s out there.”

What Walt Disney knows about storytelling

The 2016 O. Henry Prize Stories are out. Some of these stories are available to read online (just follow the links), while others will have to wait for September’s publication of the annual O. Henry anthology. Speaking of the O. Henry Prize Stories, reader Kelly Luce shares some insights gained from reading every short story published in 2014-15 in search of the top twenty for the anthology.

Apparently, in New York, in the latest transgender equality law, you can be fined by not calling a person by the pronoun they wish to be called by. If a person wants to be called “ze,” for instance, instead of he or she, and an employer or business professional refuses to honor that wish, they can seek legal recourse. This could make for some interesting written exchanges in your stories and screenplays.

If you weren’t all that thrilled by Batman v. Superman: Dawn of Justice, and a lot of people apparently weren’t, you might want to seek out the books on this list of Superman comics you must read.

Author Matthew Norman posted a column that’s gotten a lot of attention from authors: What to do when no one shows up to your reading. I haven’t had the pleasure of that situation yet, but one thing I would do is try to work the bookstore crowd beforehand. Approach the book buyers and give them a bookmark and ask them to come to your reading. At least that’s better than just sitting in your car twiddling your thumbs hoping someone shows up.

The most enlightening article I’ve read on what makes fiction literary, as explained by author and literary agent Donald Maass (who else!).

And, just for a laugh, novelists warned about drug-resistant strain to writer’s block.

Lithub is now aggregating book reviews from across 70 sites into a sort of Rotten Tomatoes, called Book Marks. Here’s how it works.

Columnist Jane Friedman puts recent news about declining ebooks sales in favor of print into perspective with this column. Buyers who are shunning higher ebook prices from traditional publishers, an increase in adult coloring books, and the rise of indie publishers and self-publishers are the keys to the fluctuating numbers, she says. Nielsen reports that about 12 million coloring books were sold in 2015. Compare that to just 1 million in 2014. The increase is so dramatic that coloring books alone can account for the increase in print sales in 2015.

The WGA (Writers Guild of America) has unveiled a new diversity database. Writers can opt to identify themselves by race, sex, age, languages they are fluent in, and, of course, sexual preference. There’s even an opt in to identify whether they have a disability. Producers or filmmakers in turn can search the database to find writers matching their needs. The whole idea is in response to the continuing outcry over the lack of diversity in Hollywood, both on screen and off screen. Not everyone is rushing to embrace the “list,” however. TV comedy writer Susan Hurwitz Arneson tells ScreenwritingU Magazine that she’s not about to “out myself on something that may be perceived as a negative, or might prevent me from getting staffed.”

The first books in James Patterson’s new Bookshots series of shorter, more digestible books are hitting stores and available to purchase online now.

Author Erik Larson recounts how he looks for fascinating, complex real-life characters to bring his historical books to life.

The Atlantic published an interesting article this week on why women are writing the best crime novels.

Feel free to add any links to writing and reading articles you may have come across in the comments section.

Around the Web: Inspiring advice for writers and readers

By G. Robert Frazier

Every once in awhile I skim through my favorite websites or newsfeeds in search of interesting stories on writing and reading. I like to share those articles for other authors and readers who may like to draw inspiration from them. I haven’t posted one of these in a few weeks, so this one is extra long. Enjoy!

Author Anthony Hamilton grew up as a dyslexic who couldn’t read in an environment where reading wasn’t stressed as being important. Today, he’s a published author. Here’s his inspiring story.

Writer Alan Lewis shared this important story about a fellow writer who lost his battle with depression. It’s a moving story and something many writers experience. Writing is a difficult craft full of emotional ups and downs, self-doubts and personal triumphs. Sadly, it doesn’t always end well. I’m thankful to know Alan and many other writers like him in the Nashville Writers groups who meet each week to provide support and encouragement for each other, whether it’s in the form of a constructive critique or a simple conversation about the craft or life in general.

Literary Hub published this great article about How Books Can Help Us Survive A War.

Noir fiction is enjoying a renaissance. Author Nicholas Seeley expounds on why in this article.

Embracing intellectual messiness goes against our instincts and training as educated people, but writers and artists should accept and understand it as crucial to the creative process. That’s the gist of this message from author Malcolm Gladwell.

Another paying market for writers is falling by the wayside. Sadly, Thuglit announced its last issue will be published in May.

I came across this cool infographic depicting what 20 authors did for a living before they became famous. It’s particularly interesting that none of their previous jobs involved writing, which means when I become famous and join the list I will set a new precedent.

Columnist Leah Dearborn penned an article on the lifecycle of books, detailing how book production impacts the environment. While it’s eye-opening, I don’t think it will affect my book-buying habits.

Barnes & Noble’s longtime leader Leonard Riggio has announced his retirement. The big chain bookstore has oft-times been criticized for spelling the death of small, independent bookstores but at the same time turned his bookstores into a destination for book lovers. The New York Times says that today, the resurgence of indie bookstores has made B&N something of an underdog.

The Mystery Writers of America announced the 2016 Edgar Allan Poe Awards on April 28, honoring the best in mystery fiction, non-fiction and television published or produced in 2015.

Sana Amanat, Katie Kubert and Emily Shaw all work at the comic book giant that is Marvel, and are helping change the way their stories reflect women and women superheroes. Hear what they have to say in this video from Today.

Writers interested in writing for TV or the film industry should keep a watchful eye on next year’s Writer’s Guild of America negotiations. The WGA’s current film and TV contract doesn’t expire for another year, but guild leaders already are gearing up for negotiations. Some of the hot-button issues it says need to be addressed at the next round of contract talks include cable parity, diversity, free rewrites, free pre-writes, sweepstakes pitching and “bake-offs,” late payments, packaging, creative rights, one-step deals, so-called “paper teams,” the erosion of the “quote” system, the guild’s ailing health plan and the steady decline in pay and jobs for feature film writers.

LitHub offers these eight writing tips from the hit Broadway musical Hamilton, of all things. Just goes to show the power of the written word, regardless of format.

Keith McCafferty makes the case for why writing a short story is the key to becoming a better writer in this article in The Strand.

Paul Tremblay’s A Head Full of Ghosts (William Morrow) captured the top award in the 2015 Bram Stoker Awards from the Horror Writers Association. He and a slate of other winners will receive their prizes at StokerCon 2016 in Las Vegas.

There’s an interesting article on The Guardian’s website on How plot grips us. Writer John Mulan notes: “Plot involves the laying of clues, the implicit promise to the reader or viewer that the true significance of what we read or see is not self-evident, but will eventually be revealed. A good plot exploits not just suspense, but also a kind of retrospective curiosity.”

Novelist William Boyd is the latest author to share his process in My Writing Day, a recurring feature in The Guardian.  Boyd explains how writing long hand is more conducive for him than pounding away at the keyboard, but adds that after about three hours of writing per day he’s spent. I sometimes feel spent before I can get in any writing. My brother says I stay up too late, which makes me tired all day.

If you need a reason to quit worrying and start writing, this column by Corey Mandell might help. I heard Mandell speak at the Screenwriters World Convention in sunny L.A. a few years ago and got a lot out of his discussion, but this column really drives home the point of putting away your fears and going for it.

Speaking of going for it, Steven Pressfield offers The Blitzkrieg Method as one way to power your way through your novel to the end without stopping or looking back. This is sort of the idea behind National Novel Writing Month as well, where you just sit and type furiously until you get to the end. I’ve been meaning to get to the end of my novel, aptly titled River’s End, for some time now and I’m going to try this method.

This is an oldie but a goodie. South Park writers Trey Parker and Matt Stone share an amazingly simple piece of writing advice on the importance of “therefore” and “but”.

Thriller writer John Gilstrap, who I met at the Killer Nashville Writers Conference last year, talks about one of the most important weapons in a writer’s arsenal: the query letter.

That’s all for now. Happy reading and writing! And if you come across a great article about the craft you’d like to share, just do so in the comments sections!

Around the Web: MFA offers bragging rights, but will never replace my ‘MBS’

By G. Robert Frazier

Every once in a while I like to share some links to interesting articles about reading and writing I’ve stumbled across on the “interwebs.” I haven’t posted any in a while, so let’s catch up a bit with this offering:

The Atlantic recently weighed in on the debate over the value of obtaining an MFA in Creative Writing. It seems the biggest advantage to having an MFA is simple bragging rights on your resume. People see that MFA and think, well, that person must know how to write… or, he has an MFA, so he can teach others. I don’t have one and I don’t believe at this point in my life I’ll be spending the time or money to get one. I’ll just stick with my MBS: Master of Bull-Shittery, thank you very much.

Do you keep a reading journal? Writer’s Relief extolls the benefits of analyzing what you’ve read and how it can help improve your own writing. I publish book reviews on several sites, including this one, and keeping a journal is part of my routine. Sometimes it just helps to keep track of all the characters and storylines, since I know I will be referring to them in my book reviews.

If you struggle with writing authentic dialogue, you’re in luck. BookBaby recently offered a series of free instructional videos on how to strengthen speech in your stories and books. It’s a bit elementary, but also good reinforcement for anyone in the writing biz.

The old journalist in me found these articles interesting: What Happens to Older Journalists and  How Facebook Swallowed Journalism. The Charlotte Observor held a wake of sorts recently as it bid farewell to its old digs in favor of smaller space because of downsizing. The Dallas Morning News says it’s reinventing itself by starting over, but what it’s really doing is the same thing Gannett has already done with all of its newspapers: Buying out or outright firing its long-term, experienced journalists and hiring a bunch of wet-behind-the-ears Millennials who supposedly have more digital-savvy skills but in reality will work a whole lot cheaper than the veterans. Ten or twenty years from now those employees will be out the door for another younger generation of suckers, if the “paper/website/app/whatever you want to call it these days” is still around.

If you’re a writer, I’m pretty sure you don’t need any added stress. You’ve got enough to worry about already. This article by Susannah Felts sort of sums it up, doesn’t it? I try not to worry about everything she worries about, but I do worry about her lack of paragraphs in the article.

If you need inspiration after that worrisome post from Susannah, you should read this column from writer Skyla Dawn Cameron.

And here’s some bad advice from writers you may want to ignore.

I would be remiss if I didn’t mention the recent loss of author Pat Conroy. I hate to admit that I have never read any of his works, so I welcome your recommendations. Conroy recounts his lessons and passions for writing in this article for The Writer magazine.

Seen any good reads lately? Post them in the comments section!

Around the Web: A roundup of articles on reading and writing

by G. Robert Frazier

As you know, I occasionally like to list a roundup of interesting articles about reading and writing. I’ve been meaning to add a new list for a while but have been busy writing, so the list just kept getting bigger and bigger. Herewith, then, is my latest collection for your reading enjoyment. Feel free to comment about any of the items that strike you or post links to articles you’ve come across. 

President Obama will nominate Carla D. Hayden to be the Librarian of Congress; Hayden would be both the first African-American and the first woman to hold the position.Speaking of diversity, blogger Jenny Bhatt wrote this interesting article on

Speaking of diversity, blogger Jenny Bhatt wrote this interesting article on diversity in publishing. The publishing industry should certainly encourage and promote diverse authors when it can, especially based on the statistics, but what we don’t need is a box on submission forms asking the writer’s color or sexual preference. Let’s let our words speak for us, not the color of our skin.

James_Patterson

The LA Times Book Prizes will honor U.S. poet laureate Juan Felipe Herrera and novelist James Patterson. Additionally, five finalists were announced in 10 categories. Patterson is currently sponsoring a contest in conjunction with his online master writing course in which he pledges to co-author a book with the winner of the contest. The catch is it costs $90 for the course and your chances of winning are probably as good as winning the next Powerball jackpot. Still, could you imagine what it would mean to have your name on a book alongside Patterson’s? Talk about a career highlight! I am very tempted to give it a shot. It’s only money, right? And, at the very least, you do get the benefit of learning in his writing course.

The Horror Writers Association has announced its final ballot for its annual Bram Stoker Awards. I so want to read all of these books. But more importantly, I want to be on this list some day. I’ve got a horror novel in the works that I hope to dust off in the next few months.

While we’re talking about genre, which is more important? Literary or genre fiction. Join the debate here. Personally, I’m a genre writer. I like characters that do things, action and mystery. I feel you can explore plenty about the human soul by putting your characters in unusual and moral situations while still being entertained.

The PassengerNPR talks the latest trend in crime thrillers: The ‘Girl’ in the title. Even more interesting are the comments at the bottom of the article, so be sure to read through. I just finished reading a “Gone Girl” type novel called The Passenger, by Lisa Lutz. See my review at BookPage.

If you missed it when it was first posted, here’s Christopher Walken reading “The Raven” by Edgar Allan Poe.

The New Yorker recently cited T.S. Eliot as offering this advice on What Makes Great Detective Fiction.

Here’s a great way to get to know your characters. Interview them and ask these probing questions that CEOs sometimes ask on new hire interviews.

I’ve been saying it all along. There’s just something more to like about an actual print book than a bunch of digital letters flashed on your e-reader. According to a recent study, 92 percent of students agree.

Any sci-fi writers reading this? If so, have you ever wondered what it means to be a science fiction writer in the 21st century? That’s what author Charlie Jane Anders asks in this article over on io9.gizmodo.com.

Author Jo Nesbo has the perfect writing room. He never uses it.

To the sensory cortex in your brain, reading is the same as doing. The words you choose not only have the power to change your readers’ minds. They can also change their brains, according to new neurological research.

Publishers Weekly posted a different sort of list recently: 10 books about loneliness. The cool thing being that in examining loneliness, they also serve as an antidote to it.

Here’s a take on the ever-raging debate of pantsing versus plotting from The Atlantic. It’s from a 2013 article, but still plenty relevant for writers wrestling over how best to approach their craft.

The battle lines have been drawn again against The Huffington Post over its policy of not paying writers for their work. Some interesting reads on the subject (and make sure you read the comments as well to further the debate) at Writer Unboxed, from Chuck Wendig, and Huffington Post UK editor in chief Stephen Hull.  For more on writers getting paid for what they do, check out Kristen Lamb’s blog.

It’s been a while since I’ve posted one of these roundups, and a week since this happened, but it’s fitting that we pay tribute to Harper Lee, the author of To Kill a Mockingbird, and Umberto Eco, author of The Name of the Rose, who both passed away recently. In memoriam, BookBub posted seven timeless quotes from Harper’s book, while Eco left this advice for writers.

Have you come across any interesting reads for writers? Share a link in the comments section.

Around the Web: More websites for writers, advice, and stories to read

By G. Robert Frazier

Regular readers of this blog know I sometimes like to share interesting stories I come across on the web. Some of these are about reading, some about writing. The more you know, as they say…

The Writer’s Life released its 100 Best Websites for Writers on Monday. The list is conveniently broken into seven categories, which is extremely helpful in finding just the site that suits you. Categories include: Blogging, entrepreneurship, creativity and craft, freelancing, marketing, publishing, and writing communities. I’m excited and a bit depressed to see so many different sites here that I have not visited before. Excited because I like discovering new things and reading new voices, especially if it can be helpful to me in anyway. Depressed because I really don’t have time to go exploring a bunch of new websites and keeping up with them. Hey, I’ve got writing to do!

CNBC posted an interesting article last Sunday about three publishers who are changing the comic book industry. And no, none of them is Marvel or DC. The article spotlights Dynamite, IDW and Boom publishers. I still collect comic books – a hobby I started in the late 1970s – but over the last decade my love of Marvel and DC comics has eroded. I no longer pick up books from either publication unless they are reprinted oldies that can fill gaps in my collection. I long ago grew tired of the endless crossovers, the over-proliferation of titles, rising prices, and deteriorating quality of work by the Big Two. My tastes have largely gone to the pulp side of comic books, as I follow new adventures of old favorites like The Shadow, Doc Savage, Tarzan, The Spirit, Conan, and Red Sonja. I also read Mars Attacks, James Bond, and The X-Files. I’ve always dreamed of someday writing comic books but never really attempted it, but thanks to a new Meetup group in town devoted to the comic book medium I’m actually in the process of fleshing out an idea and script for a graphic novel.

If you’re writing a memoir or true-life story, you might want to bookmark this Writer’s Digest guide to defamation and invasion of privacy. Guest blogger and attorney Amy Cook, who has focused on intellectual property and publishing law issues for more than 20 years, offers several constructive tips to help avoid potential lawsuits as a result of your writing that you’ll want to follow.

Texas Monthly featured an in-depth profile of author Joe R. Lansdale in its pages this past week. This was a really well-written story and an interesting look at the author. Lansdale’s Hap and Leonard series of books is about to debut on the small screen as a TV series March 2 on Sundance.

If you’re a writer, you are probably a procrastinator. Always putting off the writing for some other important project or another, like vacuuming the living room carpet, washing the dishes, reorganizing your book shelf, etc. The Atlantic has an interesting read about why writers are such procrastinators that you should read. Of course, the article was published in 2014 and I am just getting around to it.

Anyone watching the new BBC miniseries adaptation of War and Peace? You might want to read this story from The New Yorker. I’ve got a copy of War and Peace on my bookshelf but I’ve never read it. I’ve got the first couple of episodes of the miniseries on DVR to at least watch later.

Read any interesting articles about reading or writing lately? Share a link in the comments section.

Note to readers: This blog’s going to get a lot more interesting

by G. Robert Frazier

The name of this blog has been something of a misnomer, I realize that.

Most of what I post here are my book reviews or the occasional Around the Web column, wherein I include links to cool reads and resources either reading or writing related. I don’t actually post a lot about my own writing adventures, but I plan to change that.

Don’t get me wrong. I’m not going to abandon my book reviews and my web roundups. I have good reasons for keeping those a part of this blog. (Or, at least I tell myself I do.)

For starters, writers are always told to read, read, read. Everything and anything. The more you read, the more it rubs off on your own writing. I sincerely believe that. What better way to study story structure, character arcs, effective description and dialogue than by learning from published authors?

It doesn’t hurt that I’ve always loved to read, whether it’s a mystery, a fantasy epic, or a cool sci-fi story. Put a book or a magazine in front of me and I’ll read it. My book review gigs – I currently read for Blogging for Books, Killer Nashville and BookPage – are a natural extension of that. They give me a chance to discover new authors I would not otherwise hear about. And, I don’t have to pay for the books. Win-win, as they say.

My web roundups are another extension of my reading habit. I scroll around various websites or web feeds each day for articles about the craft. Admittedly, I sometimes get carried away and spend too much time on the web. I’ve amassed a huge collection of bookmarked sites to read later when I have more time (as if!).

But, if I read something and am entertained or learn something useful, then I figure I may as well share it with my fellow writers. If nothing else, maybe it will save you time in searching for good reads and resources.

See what a great guy I am?

So, all of that said, it’s time to get to the gist of this post. (About time, right?). And that is, I plan to write more posts about my writing life: what I’m working on, what I’m struggling with, what’s working, etc.

Now, I’m not saying I’m going to turn this blog into another how-to site by any means. There are plenty of sites that already do that and do it quite well. However, if I come across a rule, if I learn a new technique that I can apply to my writing, then I’ll share. In some cases, I may disagree with said rule or piece of advice and I’ll wax not so eloquent about that. I may also occasionally dramatize said adventure in the form of a story, because, hey, it’ll be more fun that way.

I’m not going to pledge to post on certain days, either. Sorry. Such promises are too hard to keep when I’m already trying to meet my own self-imposed writing deadlines. I will post more often, but just don’t hold me to a schedule because, you know, life.

Bottom line: This blog is going to get a lot more interesting. Thanks for following and I hope you enjoy what’s to come.

Around the Web: Advice and trends for the writer

by G. Robert Frazier

I peruse a lot of online articles about writing and reading every day in order to further educate myself on the craft as well as stay up on recent trends. Some of the articles also provide entertaining reads. Because I’m such a swell guy, I occasionally like to share what I’ve come across in this blog. Herewith are some writing-related missives to fill your head:

I came across this interesting blog from Annie Neugebauer, who attended last year’s World Horror Con and asked some of the biggest horror authors in the game what scares them.  I have to agree with Jack Ketchum that Alzheimer’s is a scary disease to contemplate, both for the person experiencing the disease and for family members. But from a writing standpoint, losing all my stories to some computer virus or hard drive crash would rank right up there. Thank God for the Cloud!

Speaking of horror, the Horror Writers Association released its 2015 Bram Stoker Awards Preliminary Ballot this week, with its members voting through February. Should be interesting to see which books rise to the top and eventually make their way to my never-ending reading list. Naturally Stephen King’s Bazaar of Bad Dreams made the list, as did Clive Barker’s latest Hellraiser opus, The Scarlet Gospels, two books I am looking forward to reading.

If horror’s not your thing, the 2016 Edgar Award nominations were also announced this week. Winners will be announced at the 70th Annual Edgar Awards Banquet, which will be held at the Grand Hyatt Hotel in New York City on April 28.

Electric Lit featured this look at the debate about including cultural pop references in your novel versus trying to set your novel in the eternal present.

Any short story writers reading this? Here are some inspiring quotes about the art of the short story to fuel your head.

One of the most common pieces of writing advice you’ll come across is to write every day. But in this article, author Daniel Jose Older takes issue with that advice and believes that what stops more people from writing than anything else is shame. “That creeping, nagging sense of ‘should be’, ‘should have been,’ and ‘if only I had…’ Shame, and the resulting paralysis, are what happen when the whole world drills into you that you should be writing every day and you’re not.” Older believes that “no one can tell you how to manage you’re writing process.” Everyone has to figure that out for themselves.

The Washington Post recently published an article about how used book stores are making a comeback. But author/blogger Kristen Lamb argues in a recent post that buying used essentially “robs” authors from getting paid. Salon responded that Lamb isn’t seeing the bigger picture of used book sales. As a writer, I can definitely see Lamb’s point. Writers don’t make much money as it is and for their work to be resold through used outlets with no remuneration doesn’t seem fair. But Salon’s point is also valid in that it could potentially lead someone to purchase other books in your canon. Personally, I buy new print books whenever I can as they are more presentable on my bookshelves, they don’t smell bad, and the pages are germ-free. But, from time to time, I will buy used, especially if a book is out of print or otherwise impossible to come by. I occasionally resell some books I’ve read at discounted prices on eBay, but I always try to sell them in a like new condition rather than one with bent covers, creases in the spine, or marked pages. The author might not be getting any kickback from the resale, but I don’t mind a few extra bucks going in my pocket here and there.

Finally, you know what they say about how writers should just type and not let their internal editor get in the way of their writing? That the best thing to do is just get your words down on paper as fast as you can? That a shitty first draft is to be expected? Well, here’s something else to consider: According to a research study at the University of Waterloo, if you want to improve the quality of your writing, type slower.

They may have a point, but I haven’t got time to type slower. I’ve got far too many ideas in my head that I’m trying to get down on paper. I’ll worry about prettifying my prose when I do my rewrites.

Garth Risk Hallberg, on the other hand, who wrote the giant 1,000-page City On Fire, maybe should have taken their advice to heart. If he had, maybe he could have avoided these truly cringe-worthy sentences that you just have to read to believe.

Around the Web: Bazaar of Bad Dreams has everyone talking about King again

by G. Robert Frazier

Every day I scour the web and my newsfeeds for interesting articles about reading and writing. Because I’m such a swell guy, I then like to share the links to the best stories and most helpful advice I come across. Here’s a roundup of what I’ve seen and read this week that may also interest my fellow writers:

The Bazaar of Bad DreamsIf you haven’t noticed, Stephen King has been all over the news this past week in conjunction with the release of his newest collection of short stories, The Bazaar of Bad Dreams. King is a god among authors so anything he does demands attention and further study. At the Killer Nashville conference this past week several of the panelists referenced King as a major influencer of theirs while also citing his popular book on the craft, On Writing. Novelist James Smythe shared 10 things he’s learned from Stephen King in a recent article on The Guardian’s website. The New York Times did an interesting interview with him this week, describing him as not just the guy who makes monsters. If you still can’t get enough Stephen King, check out this article and video clips from the Dick Cavett Horror Roundtable in 1980 in which he hosts King, Peter Straub, Ira Levin and George A. Romero. And after you read his latest book and reread On Writing and have learned all you can from the master, you can enter the Stephen King Short Story Contest.

While we’re on the subject of horror stories, check out this Art of Stories article on plotting a great ghost story. There are several links to ghost stories to read and other articles on writing ghost stories.

Speaking of short stories, Literary Hub shared an interesting piece from the introduction of 100 Years of the Best American Short Stories edited by Lorrie Moore on why we read and write short stories.

I keep saying I’m going to start a writing journal and this article about John Steinbeck’s writing journal is further reason why I should.

Finally, here’s an interesting video discussion between writers Alan Moore and John Higgs, describing HP Lovecraft, horror, and 20th century America.

Read anything interesting about writing on the web? Share it in the comments section.

Killer Nashville writers’ conference full of inspiration, fun

Best-selling authors M. William Phelps, left, and John Gilstrap, right, and someday best-selling author G. Robert Frazier, center, seen at the 2015 Killer Nashville writers's conference.

Best-selling authors M. William Phelps, left, and John Gilstrap, right, and someday best-selling author G. Robert Frazier, center, seen at the 2015 Killer Nashville writers’s conference.

by G. Robert Frazier

The Killer Nashville writers’ conference has come and gone, I’ve had a day or two to decompress, and now it’s time to share some takeaways.

Overall, the conference was an enjoyable and educational experience. Kudos go to conference founder Clay Stafford, Jaden (Beth) Terrell, staff and volunteers. Everyone was especially friendly and helpful. The conference included three days of panels (as many as five panels running simultaneously every hour or so), breakout sessions, roundtable pitch sessions with agents and editors, guest lectures, autograph signings, and social gatherings. There were a few last-minute changes of rooms and panel lineups, and even a few technical glitches with the in-room audio systems, but somehow they managed to pull it off without too much confusion or frustration to the attendees.

killer nashville bookA highlight of the event was the book launch for the first-ever Killer Nashville anthology, Cold-Blooded. I managed to get autographs from most of the authors who attended. (Somehow I missed you Paula Benson!) Can’t wait to read all the stories and setting my sights on being a part of next year’s anthology!

I met a lot of other writers in attendance, “friended” their Facebook sites, and followed their Twitter accounts. (If you’re reading this and I didn’t get to you, just like me on Facebook and follow me @grfrazier23 and I’ll return the favor.) I encourage everyone to stay in touch. Writing is a lonely business and we can all use each other’s support and encouragement.

The conference’s guests of honor -– best-sellers John Gilstrap, M. William Phelps, and Robert K. Tanenbaum — were each fantastic. Clay Stafford did a great job interviewing each of them and getting them to share wonderful stories about the business of writing.

M. William Phelps

M. William Phelps

Phelps opened the conference with the talk: “Crime Pays: Books, Television and Film – The Explosion of the (Serial) Killer Genre,” sharing insights into the true nature of serial killers contrasted with the entertainment world’s depiction of such killers. He also provided attendees with the true story behind his hair (it’s about branding and marketing, ways to make you stand out in a crowd)!

Gilstrap provided the most moving and uplifting speech of the weekend with his “Dare to Dream” segment. He said the secret to finding writing success is to persevere. Keep believing in yourself even when others don’t.

Gilstrap also had the best, most memorable quotes from the weekend:

  • “The smartest conversations you will ever have is with writers.”
  • “I’m of the belief that we don’t value dreaming enough.”
  • On Hollywood: “You count your fingers after you shake hands.”
  • “Every success is preceded by rejection and failure.”
  • On writing: “The act of stopping is the act of surrendering.”
Murder She Wrote authors Donald Bain and Renee Paley-Bain sign a copy of their latest book in memory of my mother, one of their biggest fans.

Murder She Wrote authors Donald Bain and Renee Paley-Bain sign a copy of their latest book in memory of my mother, one of their biggest fans.

The award for friendliest authors has to go to Donald Bain and Renee Paley-Bain, co-authors of the best-selling Murder She Wrote series. My mother was a huge fan of the Murder She Wrote series and loved the books. The Bains signed a copy of their newest book in her memory and I enjoyed a lengthy conversation with them about the series.

Robert K. Tanenbaum was by far the best-dressed author. Believe it or not, this was his first-ever conference appearance!

Best-hair belonged to M. William Phelps.

Following are some other highlights and observations, as well as my personal rankings on the panels and events I attended (one star being fair, two stars being good, three stars being very good and four stars being excellent):

  • Get A Literary Agent**** with literary agent/best-selling author Sheree Bykofsky. A great kickoff to the event on Thursday, Bykofsky provided practical advice on how to write a query letter and how to make a verbal pitch to agents. She was knowledgeable, encouraging, funny, and, perhaps above all, approachable. Plus, I won a free book from her for my “elevator” pitch.
  • Pacing Your Novel*** — The panelists here had a lively discussion about tips and tricks to keep your thriller novel moving. As panelist Don Helin pointed out, “Emotion is what drives real suspense.” Panelist Ken Vanderpool said he ranks each chapter he writes by the amount of tension it creates on a 1 to 10 scale, so that when you then look at a series of chapters together they should resemble a heartbeat graph with ups and downs along the way. And hey, they even had handouts! I love handouts.

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  • Crime Scene/Dupin Detective Award*** — Dan Royse, assistant director of the Tennessee Bureau of Investigation, created a mock crime scene for participants to solve, complete with evidence to log and process, video interviews with “witnesses,” and a floorplan/grid on which to outline the murder scene and evidence found. The sheer amount of clues and information to be processed was remarkable in itself and gave me a new respect for the true men and women of law enforcement. All those TV shows fail to capture the true details that go into solving crimes.
  • Getting it All Done: Time Management for Writers**** — Another great panel, focusing on how to keep procrastination at bay and how to shut off your internal editor as you write. Author/panelist Jonni Rich suggested always ending each writing session on an upbeat note so that you’re excited when you get back to it. Lynn Cahoon suggested using apps like Freedom and Self Control to keep you off the internet until your writing session is over. “It takes courage to open that word document,” she said. “Your book has to take priority.” This panel proved to be time well spent.
  • How to Write A Thriller*** — Author David Bell described the thriller as stories of “ordinary people in extraordinary circumstances.” “It should engage the heart as much as your head,” he said. Bell is a proponent of outlining because it gives no excuse for writer’s block. Recommended reading from the group: any John Sandford novel or early Robert Ludlum. For young adult genre writers, visit the Better Novel Project for a breakdown on how to write YA.
  • How to Write Effective Scenes*** — Philip Cioffari did a great job of breaking down scenes into their core elements and showing how writers can craft the best scenes possible. One trick: be aware of what’s going on in both the foreground and background of your scenes. It’s stuff most writers have encountered before, but served as good refresher material and good introductory material for writers just starting out. I was disappointed to have to leave the session early because of an agent roundtable I had scheduled.
  • How to Write Speculative Fiction** — This panel never really found its footing. I was eager to hear from writer about writing in the horror, sci-fi, paranormal genres, but they spent the first half of the session addressing more routine matters, such as outlining or “pantsing.” At that point I left to find a panel that was more on topic.

One astounding fact was that nearly everyone in attendance was already published. Whether with a traditional publisher, indie publisher or self-published, they all had books for sale or to talk about and they all managed to get onto a panel. It was discouraging in a way for anyone unpublished, but also encouraging in that if all these people can get published, there’s no reason anyone just starting out can’t too. The Killer Nashville folks recorded all the sessions and plan to make them available to attendees. I’m eager to see and hear what I missed.

Neither of the ticketed bonus sessions I attended were worth the extra money. (Lesson learned for the next time I attend.) The final event, in fact, was a big disappointment. It was supposed to bring together six of the agents attending the conference for a panel on what agents really want, but only half of them showed up. The others went home early. Not good when you’ve paid extra money for that session and you only get half of what was promised.

Lastly, I would be remiss if I didn’t talk about the venue. The Omni Hotel in Nashville was spacious (maybe just a bit too large) and clean, convenient to downtown, and elegant (and a bit cold). There were plenty of spaces to relax outside of the panel rooms to catch up with other authors or to just sit and unwind. The art adorning the walls was spectacular to look at, as were the views from the large windows. Even the patterns on the carpet and the chandeliers in the conference rooms were impressive.

All in all, I’d say Killer Nashville 2015 killed it.

More on Killer Nashville:

Anthology commemorates 10 years of Killer Nashville – BookPage

Killer Nashville shiny, bright – Mudpies and Magnolias

An interview with Killer Nashville author C. Hope Clark – The Reading Frenzy

A Conversation with Killer Nashville author Maggie Toussaint – Omnimystery News