From thrillers to autobiographies, there’s something for everyone

By G. Robert Frazier

My latest reviews for BookPage include several novels and a cache of audiobooks, from thrillers to autobiographies. I even posed questions to author Chris Pavone for an engrossing interview.

There’s something here for just about everyone, so dive in!

In Chris Pavone’s suspenseful new novel, Two Nights in Lisbon, recently married couple Ariel Price and John Wright have shirked their former identities for new lives unfettered by past encumbrances. Or so they think.

To enjoy James Patterson and Dolly Parton’s Run, Rose, Run (10.5 hours) to the fullest, you must listen to the audiobook. Not only is it a necessary companion to Parton’s album of the same title (featuring songs inspired by the novel), but the cultural icon also voices one of the main characters, veteran country music star and bar owner Ruthanna Ryder.

Bestselling author John Darnielle’s most bizarre novel to date, Devil House (11.5 hours), is an odd amalgam of crime fiction, buried memories and investigative journalism.

The success of Amazon Prime Video’s adaptation of the late Robert Jordan’s Wheel of Time series is enticement enough to revisit his epic fantasy novels, which debuted in 1990. But even more exciting is listening to the new audiobook of book one in the series, The Eye of the World (33 hours), narrated by Golden Globe- and Emmy Award-winning British actor Rosamund Pike.

In his raspy, unmistakable voice, comedien Mel Brooks reveals his enduring passion for such comedy classics as Young FrankensteinSpaceballs and History of the World, Part I, as well as his respect for his relationships with showbiz luminaries Sid Caesar, Gene Wilder, Anne Bancroft and more in the audio version of his new memoir, All About Me.

The Nineties provides a fascinating, granular look at a defining period of history, and author Chuck Klosterman narrates in an almost tongue-in-cheek fashion.

In The Boys (13 hours), Happy Days actor-turned-director Ron Howard takes turns with his brother, Clint, also a child actor in “Gentle Ben,” to reminisce about their memories of being icons to millions of adoring viewers in the 1960s and ’70s.

Foo Fighters frontman Dave Grohl’s memoir, The Storyteller: Tales of Life and Music (10.5 hours), is as raw and unfiltered as his music.

I’ve also reviewed three books for Chapter 16 so far this year, including Mark Greaney’s latest Grey Man novel Sierra Six, Don Winslow’s mob epic City on Fire, and Valerie Nieman’s suspense thriller In the Lonely Backwater.

As always, I’m grateful to the fine editors at BookPage and Chapter 16 for the opportunity to read or listen to these books and offer my insights.

Keep watching both sites and this space for additional reviews, including an audiobook review of John Grisham’s new collection of novellas, Sparring Partners.

Until next time, happy reading!

Supernatural elements feature in top books read in 2021

By G. ROBERT FRAZIER

It’s hard to pick a favorite. Or even several favorites. But here goes.

Of all the books I read and reviewed in 2021 – 41, counting the dozen audiobooks I also listened to – I’ve narrowed my list of best books to five, plus my top three audiobooks.

Looking over the list, my novel selections (except one) have a supernatural element or otherworldly force in them. That’s not all that surprising as my two favorite genres are mysteries/crime and horror (Stephen King being one of my favorite authors). You can’t go wrong with a gritty crime thriller or noirish detective tale combined with ghostly chills or otherworldly mayhem.

Top 5 Fiction

Clay Chapman’s Whisper Down the Lane stands out as one of my most memorable reads this past year.

Inspired in part by the real-life McMartin preschool trial—in which members of the McMartin family who operated a preschool in Manhattan Beach, California, were charged with sexual abuse of children, which in turn gave rise to a national panic over satanic ritual abuse—the novel follows similar circumstances, although in a highly fictionalized way.

Chapman alternates chapters from the perspectives of Sean, a kindergartener in 1983 Greenfield, Virginia, and Richard, a teacher living 30 years later in Danvers, Virginia, where he and his wife are raising his stepson, Elijah. As you might expect, their stories are inextricably linked, and everything starts when Sean, influenced by his mother’s paranoia, tells a lie that will change his entire world.

Part of the novel’s chilling effectiveness comes from its portrayal of the detectives assigned to Sean’s case and how their leading questions ultimately result in Sean saying what they want him to say, resulting in the unfair and undeserved persecution of Sean’s teacher on suspected sexual offenses. Chapman pulls no punches, revealing how the simplest of misrepresentations can result in a sort of mass hysteria against someone, just as it did in the real-life McMartin era.

The Final Girl Support Group by Grady Hendrix

The six women in Lynnette Tarkington’s therapy group are fiercely independent and strong-willed but also tragically haunted by their past experiences. All of them survived random mass killings that later became the bases for Hollywood slasher franchises that were popular among moviegoers in the 1980s and ’90s. 

But then “America’s first final girl” and keystone support group member Adrienne Butler is killed in a massacre of camp counselors at Camp Red Lake. Hendrix puts Lynette and her fellow survivors through all the typical horror tropes as they are forced to once again face a mysterious killer.

The Book of Accidents by Chuck Wendig

Chuck Wendig’s new horror/dark fantasy novel The Book of Accidents (Del Rey Books, 0399181136, $28.99) is a chilling romp through dark dimensions in the best Stephen King tradition.

The book starts out in typical horror fashion as our protagonists – husband and wife Nathan and Maddie Graves and their fifteen-year-old son, Oliver — uproot their lives to move to Nathan’s rural Pennsylvania family home following the death of his father.  As is typically the case in a horror novel, though, strange occurrences soon follow and grow exponentially more bizarre as the story rockets along.

The Girl Who Died by Ragnar Jonassen

The advertisement is simple and honest: “Teacher wanted at the edge of the world.” And for Una, the main character of Ragnar Jonasson’s The Girl Who Died, it is the perfect enticement to leave her drab life behind and start a new chapter.

The “edge of the world” is actually the isolated fishing village of Skálar, located on the northeastern tip of Iceland.

At first, the idyllic community of just 10 people, including two young girls whom Una is hired to tutor for the year, seems like something out of a storybook. It’s not long, however, before the remoteness of the community and the tight-lipped nature of its residents begin to weigh on her, forcing her to question if she’s made a serious mistake.

City on Fire by Don Winslow

The only book without a touch of the supernatural on my list is Don Wilson’s City on Fire, which I read for Chapter 16. But as the book’s publication date was postponed until spring because of the Delta Covid outbreak, my review has yet to be published. I’ll let you know when it’s up, but for now you’ll just have to take my word that it is not to be missed. (Hmm, I wonder if I should count it as a 2021 best book or a 2022 best book?).

Top 3 Audiobooks

Until this past year, audiobooks were not a thing for me. But BookPage editor Cat Acree asked if I’d be interested in taking on reviews and I was eager for the challenge. I’ve come to the conclusion that I prefer reading my books to listening to them, but maybe this audio thing will grow on me in time.

Certainly, the audio experience is vastly different from physical reading and takes some getting used to. It does require a different skillset, namely, listening. With audiobooks, you can’t allow yourself to become distracted by other tasks or …

Most of my audio selections were nonfiction-oriented, but I also managed to listen to a few novels.

Topping my list of best audiobooks is Carry On by John Lewis. Written by the late, great civil rights icon and representative from Georgia, the book is made up of inspirational essays from Lewis on such topics as teamwork, friendship, success and justice. It’s like those motivational posters on the walls of your workplace, only better, because his aphorisms are punchy yet never cliched, and you can take his inspirational words with you and play them anytime you need a lift.

One of the most important books, or audiobooks, you should listen to is Empire of Pain: The Secret History of the Sackler Dynasty by Patrick Radden Keefe.

In jaw-dropping detail, the New Yorker staff writer Keefe recounts the greed, deception, and corruption at the heart of the Sackler family’s multigenerational quest for wealth and social status through their company, Purdue Pharma, and the rise of the OxyContin painkiller epidemic.

The Final Revival of Opal & Nev by Dawnie Walton

In a series of first-person interviews conducted by journalist S. Sunny Shelton, the fictional oral history recounts the story of a 1970s rock collaboration between glam Black American singer Opal Jewel and white British singer-songwriter Nev Charles. Walton skillfully blends in real-life events such as Vietnam War protests to firmly establish the narrative’s tone and time period, layering the duo’s rise to rock stardom with social, economic, racial and sexual undercurrents.

Click the links in any of the above articles to read the full reviews.

Review: The Book of Accidents King-like in scope, sheer terror

by G. Robert Frazier

Make no mistake, Chuck Wendig’s new horror/dark fantasy novel The Book of Accidents (Del Rey Books, 0399181136, $28.99) is a chilling romp through dark dimensions in the best Stephen King tradition.

The book starts out in typical horror fashion as our protagonists – husband and wife Nathan and Maddie Graves and their fifteen-year-old son, Oliver — uproot their lives to move to Nathan’s rural Pennsylvania family home following the death of his father.

Nathan is more reluctant about the move than any of the trio because of his traumatic past with his abusive father. But after Oliver experiences an emotional breakdown at school during an active shooter drill, they agree this may be the fresh start they all need.

At first, things seem to go well. Oliver makes a few friends in his new school, Maddie takes up a new hobby, and Nathan takes on a new role as a park ranger. As is typically the case in a horror novel, though, strange occurrences soon follow and grow exponentially more bizarre as the story rockets along.

Oliver falls into a feud with a new school bully and is rescued by a mysterious scarred youth who seems oddly familiar; Maddie’s hobby with wood sculptures results in a bizarre obsession; and Nathan sees a strange figure on his lawn in the middle of the night. It seems the town is haunted by the spirit of a serial killer who did most of his slayings under a bridge in the local park, which sits over a series of coal mines.

Oliver’s overly sensitive personality ultimately collides with a malevolent version of himself as the action ramps up toward a fierce, violent showdown.

Wendig skillfully alternates perspectives between the three family members over the course of the 500-page tome, allowing readers to become more invested in each character. While Oliver eventually takes center stage, the author roots the action in the family’s unique bond for each other, making each spell-binding chapter emotionally impactful and altogether terrifying.

This is horror at its grandest, darkest level: viscerally stunning and spooky good.

Skipping Killer Nashville conference a difficult choice

Some devious and cunning minds will gather in Franklin (TN) this week for the Killer Nashville writing conference. I wish I could be with them, but this whole Covid pandemic thing has convinced me otherwise.

I’m fully vaccinated (although apparently a third shot is in the cards), and KN organizer Clay Stafford promises the conference and hotel are taking precautions, but I’m not comfortable taking any chances. Heck, I’m still masking up everywhere I go and I’m still using Walmart’s pickup service for my groceries until this all blows over.

Killer Nashville founder Clay Stafford poses with guests Joyce Carol Oates and David Morrell.

Killer Nashville is one of my favorite events every year, which makes missing out so difficult.

The four-day event held each August (this is its 15th gathering after skipping last year because of the pandemic) attracts some of the best authors from across the globe for informative, educational, and entertaining panels on writing mystery, crime, and thrillers across a variety of mediums, including novels, short stories, and screenplays.

Anne Perry

The event is typically headlined by a few best-selling authors. Past guests have included Jeffery Deaver, William Kent Krueger, Joyce Carol Oates, Otto Penzler, Max Allen Collins, Anne Perry, and Janet Evanovich, to name just a few. This year’s conference honors guests Walter Mosley, Lisa Black, and Tennessee’s own J.T. Ellison.

In addition to a nonstop slate of panels presented by attending authors and other guests, the event features an awards banquet for best published and unpublished novel in numerous categories, a mock crime scene to test your deductive skills, and pitch meetings with agents and editors.

But perhaps one of the best aspects of the conference is just meeting and networking with folks. I’ve met numerous authors and am fortunate to call them friends. The writing community at Killer Nashville is just that – a community of writers who genuinely support and encourage each other in all phases of their writing journey.

Clay Stafford

The event, of course, wouldn’t be the success it is without the vision of KN founder Clay Stafford (there’s a great interview with him here) and dedication of his staff. I’ve been fortunate to work alongside each of them over recent years as a book reviewer, Claymore contest reviewer, and volunteer. I even served on a panel one year, which still blows my mind.

I’m already looking forward to next year’s conference.

Writing Week in Review

My co-writer Jay Wright and I finished some revisions to our crime feature script Kings of Mississippi and submitted it to the Finish Line Screenplay Contest. We got some excellent feedback on our first read through from one of their readers that strengthened some of the emotional elements of the script. Now we wait and see if the revised script makes the quarterfinals cut.

I also tweaked a short horror script I wrote called Kurupira and entered it in the Fresh Blood Selects contest.

My other short horror script Skin, which just narrowly missed the Finals stage in the Nashville Film Festival’s screenwriting competition, failed to even make it to the quarterfinals in The Script Lab’s Free Screenwriting Competition. Sigh. Of course, there were 13,000 entries overall and only the top 1,000 made the first round of cuts. I’m sure Skin must have been right there knocking on the door, though, probably at No. 1001. Yeah.

And I made a little more progress on my spec script episode of What We Do in the Shadows. If you’re familiar with the FX show, you know it’s about a trio of vampires living in Staten Island. In my episode, Nandor and his familiar Guillermo attend a “Vampires Anonymous” meeting, while Laszlo and Nadja go to a Little League baseball game. To coin a phrase, hilarity ensues.

As I mentioned in a previous blog, I had planned to start on my feature script Jerry Lonely, but I’m still outlining it. Hopefully, I’ll have all the major plot points worked out and be ready to do the actual writing in September. The title has piqued the interest of several readers who want to know more, but all I will say about it at this point is that I’ve been watching The Godfather movies as prep work.

Which brings me to: My writing calendar.

Every couple of months or so I revise and prioritize my list of ongoing writing projects. I have a list of screenplays (shorts, TV pilots, and features) and other writing projects (shorts stories and novels) that I try to juggle. I try to match it up with upcoming contest or submission deadlines and then go from there.

Often, my plans go to hell, and I find myself having to reconfigure them a couple months later. But at least I’m trying.

I plan to use these weekly blog posts in part to help hold myself accountable to my writing plans by posting updates on my progress each week. My goal in the week ahead is to finish the first draft of the What We Do in the Shadows script and outline a TV pilot script. Check back here next week and I’ll let you know how I did.

What I’m Reading

Last week, I posted about the importance of reading and I’ve been making progress on my to be read pile.

I read the pilot script for the Emmy-nominated Hacks and listened to a streaming panel with the creators and actors, courtesy of Deadline’s Contenders series. There are more than a dozen other panels with the creators and stars of other Emmy-nominated shows on the platform, all free to view online.

I also finished reading a screenplay from one of my fellow Tennessee Screenwriting members and will be sending him some notes after I post this.

Meanwhile, I’m reading Lightning Strike by William Kent Krueger, which I should finish by the weekend. I’ll then start on The Good Death by S.D. Sykes. I’m reviewing both books for BookPage.

Until next time…

Books: Atlanta PD’s first black cops investigate murder amid racial prejudice

Thomas Mullen’s Darktown is a novel readers won’t soon forget—not just because of its thoroughly engrossing, suspense-filled plot, but because of the historical, moral complexity contained within its pages.

Read my interview with Mullen and my review, both at Bookpage.

Books: Pavone steps up the pace with intriguing spy thriller, The Travelers

By G. Robert Frazier

New York Times best-selling author Chris Pavone’s third outing, The Travelers (Crown Publishing, $27), is his best yet. Once again, Pavone mixes spies with seemingly ordinary people, throws in some exotic locales and intriguing situations, and yields a thrilling page-turner.

The TravelersUnlike his previous efforts – The Expats and The Accident – which were both good in their own ways, this one races along at an exciting clip. Pavone, who can get a bit wordy at times, sheds much of the literary style of writing he excels at to tell a more straightforward, tightly written novel.

Some may miss the lyricism, but as a thriller reader, the story is paramount.

The Travelers follows Will Rhodes, a globe-trotting travel writer by day who suddenly finds himself entangled in a complex web of deceit and subterfuge on an international scale. It is on one such routine assignment for his magazine when Will commits a transgression that he cannot so easily erase: he cheats on his wife by having sex with a beautiful woman, Elle Hardwick. Elle, as it turns out, is a CIA operative and basically blackmails Will into joining the ranks or risk his already tenuous marriage.

Will, who is somewhat overwhelmed at this point, acquiesces and so begins on a whirlwind training regimen in which he learns how to follow people, how to recognize if he’s being followed, and how to defend himself should the need arise, which it does. Pavone could have lingered over the training curve for quite a while, but fortunately doesn’t, opting instead to keep the story moving in new directions.

Soon enough, Will is officially on assignment, running missions for Elle even while trying to maintain his cover as a travel writer and caring husband. Even as Will plays a dual role, he doesn’t realize the duality of roles unfolding all around him. It seems that everyone in this story has something to hide, from his wife to his boss to Elle herself.

It all may seem a bit excessive and far-fetched, but the best thing to do here is just go with it. Enjoy this book for the twists and turns and the fun it offers in trying to figure out who’s who. If you give it too much thought, that would just ruin the fun.

All of it comes down to a rousing finale that will leave you hoping to see these characters again.

I received this book from Blogging for Books in exchange for this review.

Books: Donaldson’s novel recreates flavor of Justified

The More They DisappearIf there’s anyone out there still lamenting the absence of Elmore Leonard’s “Justified” on TV, you can get your fix of small-town Kentucky criminals in Jesse Donaldson’s debut thriller, The More They Disappear.

The novel starts with the shocking assassination of longtime Kentucky Sheriff Lew Mattock at his own re-election campaign barbecue and quickly escalates into a thrilling manhunt for his killer.

Chief Deputy Harlan Dupee steps up as acting sheriff to investigate the shooting, following a trail of dark secrets amid the townsfolk he only thought he knew. Along the way he discovers his former boss wasn’t as upstanding a lawman as he believed. At the root of everything is a prescription drug trade that has its hooks in everyone, from the town’s most innocent children to even its most prominent citizens.

Read the full review now at BookPage.

Stephen King entertains, scares Ryman audience

by G. Robert Frazier

NASHVILLE, TN — Stephen King doesn’t let his scary side out. Instead, when he hits the road to meet and greet fans or to talk about his newest book, End of Watch, it’s Public Steve who shows up.

photo by Shane Leonard

Stephen King / photo by Shane Leonard

Fans typically want to see Scary Steve, the mind behind such classic novels as It, Carrie, and Salem’s Lot. But Scary Steve doesn’t travel. He works three to four hours a day holed up somewhere in the wilds of Maine coming up with ways “to scare the shit out of you.” If you’re Scary Steve, it’s what you do.

Home Steve is just a regular joe, hanging out at the house, watching ballgames on TV, going to the market, or cleaning up after the dog. Home Steve, as you might surmise, stays at home.

Public Steve is far better suited to book signings and lectures. He’s surprisingly entertaining, light-hearted, and fun. As King puts it, “Public Steve does a lot of deflection so that you don’t look for Scary Steve.”

King talked about the “three faces of Steve” while making a stop at the historic Ryman Auditorium in Nashville on his End of Watch book tour in June. The venue – known as the church of country music and birthplace of the Grand Ole Opry – was crammed with 2,300-plus of his constant readers on a night when downtown Nashville was abuzz with the annual CMA (Country Music Association) Festival and nearby Manchester was overrun with ‘Roonies (short for Bonnaroo fans), a fact that didn’t go unnoticed by the 68-year-old author.

“Everything is happening in Nashville this weekend,” he said, “and look at this place — full of people who read books.”

“If you have a gift, at some point it wakes up and it speaks to you and says this is what you’re supposed to do.”

— Stephen King

King received a standing O as he stepped on stage, remarking, “Well, it’s all downhill from here.”

In actuality, he was just getting started. Given the setting, King fittingly regaled the audience with stories about his own musical talent as part of the Rock Bottom Remainders, a group of authors able to play a  limited number of musical chords and sing a few cover songs.

“I’m going to talk about writing, but I’m in the Ryman so cut me some slack,” he joked.

King is a country music lover at heart.

“For me, country music was shit-kicking music,” he said about growing up. “There was nothing on the radio but country music and Rush Limbaugh, so I started listening to country music.”

Thankfully, he didn’t hop on a bus and come to Nashville all those years ago to pursue some dream of being a country music star. Instead, he found his calling in writing horror fiction. In a box. In the attic.

“If you have a gift, at some point it wakes up and it speaks to you and says this is what you’re supposed to do,” King said.

For King, the writing bug inside him awoke upon reading some of his dad’s pulp novels found in that attic, specifically H.P. Lovecraft’s The Thing From the Tomb. “Whatever it was, awoke in me.”

Over the course of 40-plus years since then, King’s writing has resulted in countless bestsellers and sleepless nights for avid readers. He knows what scares you, as the saying goes. The secret, he explained, boils down to two things: One, make readers care about the characters, and two, make it real.

To drive the point home, he let Scary Steve out of the box for just a moment. He noted that many people in the crowd were probably so excited about being there, they’d forgotten to lock the car door. That maybe while they were sitting listening to him, some stranger was trying the door to their car. That some stranger was perhaps slipping into the back seat of the car.

“I guarantee when you go to your car tonight, you’ll look in the back seat first,” he said. In order to scare people, “you have to plant the seed first.”

King admitted he sometimes even scares himself.

“People ask me if I ever scare myself,” he said. “I get scared, but when I’m writing I feel in control. I’m behind the scenes.”

That’s not to say writing is easy.

“The voice I have on most days is, this is great, keep going,” he said. “But you also have days where you feel like you’re wearing gloves and nothing has texture to it. The trick is to keep going. Writing a novel, it’s no job for sissies.”

Quotable Stephen King:

  • On fans: “People sometimes tell me, ‘you’re on my bucket list.’ That’s so goddamn weird.”
  • On critics: “The critics initially hated me. I decided, I’ll just keep writing and pretty soon they’ll all be fucking dead.”
  • On politicians: “Listen, you politicians, you oughtta thank God you can flush after you go to the bathroom.”
  • On TV: “TV is in a place it hasn’t been in in years. They are doing things that movies can’t.”
  • On what you should read next: The Fireman, written by his son Joe Hill
  • On what he’s writing next: King is working on a book with son Owen, Sleeping Beauties, due out in 2017. The book will be published by Scribner.
  • On advice to writers: Secrets to success
  • New short story: “Cookie Jar”
  • More from the tour: An entourage of one

 

Books: Dive into a summer of suspense

Readers looking for a great escape from the everyday routine during their vacation will find it in five of the most offbeat thrillers to hit bookshelves this summer. Whether it’s an alternate history in which slavery never ended or a television reality show turned survivor tale, these books will keep readers turning the pages on the plane or on the beach.

Read about Everything I Don’t Remember, I’m Thinking of Ending Things, Underground Airlines, All Is Not Forgotten and The Last One now at Bookpage

 

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Around the Web: More advice and articles for writers and readers

by G. Robert Frazier

Every once in a while I like to share some of the stories and advice articles on writing I come across in my wanderings around the interwebs. So, for better or worse, here’s this month’s collection of links for your reading pleasure:

Columnist Riki Cleveland offers six habits of prolific writers and how to make them yours on litreactor.com.

“Writing is an act of thievery,” according to Khalid Hosseini, author of Kite Runner. “You adapt experiences and anecdotes for your own purposes.” For both the memoirist and the novelist are inevitably inspired by the people they have met, and will make use of them to suit their purposes. This may not strictly be plagiarism, but it is similar territory. Read more about how writers will steal your life and use it in this excerpt from How to Write Like Tolstoy (Random House) by Richard Cohen for fiction here.

Everyone’s heard of the self-publishing success by authors such as Andy Weir (The Martian) and Hugh Howey (Wool), so it’s also refreshing to see a literary agent like David Fugate taking note of self-publishing books. “I’m a huge fan of self-publishing (in all its myriad forms) and what it has done for both authors and readers. I think it’s amazing that it’s no longer a question of if your work will be published, but how,” he said in a recent interview with Reedsy. “My advice for anyone who wants to self-publish first is: do it well. And if you’re unsure about whether you want to traditionally publish or self-publish my advice is often to try traditional publishing first. If you approach it the right way, you can figure out very quickly if it will work with a traditional publisher. And if not, you can always self-publish and all you’ve lost is a little time. However, for anyone who wants to self-publish their book first, the key is to make sure you really go for it. Don’t just put it out there and hope that readers will somehow discover it. Have a marketing plan and pursue it with more of an entrepreneurial mindset. That can be difficult for some authors, but given the amount of noise out in the market, if you want to really give your work a chance to do well, you have to do what it takes to let readers know it’s out there.”

What Walt Disney knows about storytelling

The 2016 O. Henry Prize Stories are out. Some of these stories are available to read online (just follow the links), while others will have to wait for September’s publication of the annual O. Henry anthology. Speaking of the O. Henry Prize Stories, reader Kelly Luce shares some insights gained from reading every short story published in 2014-15 in search of the top twenty for the anthology.

Apparently, in New York, in the latest transgender equality law, you can be fined by not calling a person by the pronoun they wish to be called by. If a person wants to be called “ze,” for instance, instead of he or she, and an employer or business professional refuses to honor that wish, they can seek legal recourse. This could make for some interesting written exchanges in your stories and screenplays.

If you weren’t all that thrilled by Batman v. Superman: Dawn of Justice, and a lot of people apparently weren’t, you might want to seek out the books on this list of Superman comics you must read.

Author Matthew Norman posted a column that’s gotten a lot of attention from authors: What to do when no one shows up to your reading. I haven’t had the pleasure of that situation yet, but one thing I would do is try to work the bookstore crowd beforehand. Approach the book buyers and give them a bookmark and ask them to come to your reading. At least that’s better than just sitting in your car twiddling your thumbs hoping someone shows up.

The most enlightening article I’ve read on what makes fiction literary, as explained by author and literary agent Donald Maass (who else!).

And, just for a laugh, novelists warned about drug-resistant strain to writer’s block.

Lithub is now aggregating book reviews from across 70 sites into a sort of Rotten Tomatoes, called Book Marks. Here’s how it works.

Columnist Jane Friedman puts recent news about declining ebooks sales in favor of print into perspective with this column. Buyers who are shunning higher ebook prices from traditional publishers, an increase in adult coloring books, and the rise of indie publishers and self-publishers are the keys to the fluctuating numbers, she says. Nielsen reports that about 12 million coloring books were sold in 2015. Compare that to just 1 million in 2014. The increase is so dramatic that coloring books alone can account for the increase in print sales in 2015.

The WGA (Writers Guild of America) has unveiled a new diversity database. Writers can opt to identify themselves by race, sex, age, languages they are fluent in, and, of course, sexual preference. There’s even an opt in to identify whether they have a disability. Producers or filmmakers in turn can search the database to find writers matching their needs. The whole idea is in response to the continuing outcry over the lack of diversity in Hollywood, both on screen and off screen. Not everyone is rushing to embrace the “list,” however. TV comedy writer Susan Hurwitz Arneson tells ScreenwritingU Magazine that she’s not about to “out myself on something that may be perceived as a negative, or might prevent me from getting staffed.”

The first books in James Patterson’s new Bookshots series of shorter, more digestible books are hitting stores and available to purchase online now.

Author Erik Larson recounts how he looks for fascinating, complex real-life characters to bring his historical books to life.

The Atlantic published an interesting article this week on why women are writing the best crime novels.

Feel free to add any links to writing and reading articles you may have come across in the comments section.