The pace with which you approach your work, as well as the pace of the work itself, emerged as a common theme at Day 2 of the Killer Nashville International Writers’ Conference Friday.
Running through Sunday at the Omni Hotel in Downtown Nashville, the conference brings together hundreds of writers and book lovers for four days of educational seminars, lectures by best-selling crime authors, agent and editor roundtables, and social networking.
Today’s lineup for attendees includes Guest of Honor speakers John Gilstrap, M. William Phelps, and Robert K. Tanenbaum, culminating with Killer Nashville’s annual banquet and awards ceremony. The public can get in on some of the activities at no charge as part of the conference’s first-ever BookCon, where they can meet Gilstrap, Tanenbaum, Phelps and Murder She Wrote authors Donald Bain and Renee Paley-Bain. A full lineup of events is available online at www.KillerNashville.com
But remember to pace yourself, because you’ll want to stay all day.
Writers on hand Friday, including myself, learned firsthand about how pacing plays an important role in any novel. Panelists Ken Vanderpool, David Bell, Don Helin, and Sharon Marchisello provided tips on how to turn up the tension and keep readers turning the pages in your novel.
Shorter sentences and chapters, cliffhangers, rapid-fire dialogue, active voice, short hard-edged sentence fragments were just some of the tactics shared to create a quicker reading experience. The opposite techniques are useful in slowing down the pace of the novel, allowing your character, and readers, a chance to catch their breath.
But perhaps the most important element, Helin noted, is the emotional connection authors strive to create between their characters and readers. If the reader can be drawn to empathize with the character and his/her plight, then they’ll be swept along for the ride, experiencing each high and low the character experiences.
Pacing in the first few pages of any novel also emerged as a key component during editor-agent roundtables throughout the day. Publishers want to get hooked by writers right away, without a lot of boring and unnecessary backstory. There’s time enough for that later, but a quick jump out of the starting blocks is crucial. Anything less could be the difference between obtaining representation, book deals, and readers who want to come back for more.