Since it’s Giving Tuesday, I thought I should share a unique way for you to give back: You can be a volunteer reader for the Nashville Film Festival’s Screenwriting Competition.
This is my second year as a reader for the competition, wherein I get to read dozens of scripts and rate them according to NaFF criteria. In doing so, I am helping whittle the entries down to potential winners in more than a dozen categories.
I became a reader last year in an effort to strengthen my own script-writing abilities, but you don’t have to be a writer to take advantage of this opportunity. You just have to love stories and love reading them. The folks at NaFF will help you identify what works and what doesn’t work in the script you are reading so that you can effectively rate them.
What’s more, the knowledge gained from reading and rating scripts will broaden your own film-going experience. You will look at movies in a whole new way. You will learn how a good film is structured, as well as what makes good dialogue and scenes.
NaFF is one of the largest and oldest film festivals in the U.S., screening over 250 films from more than 50 countries. Last year, which was NaFF’s inaugural screenwriting competition, more than 1,500 entries were received. They are anticipating about 2,000 entries for the 2015 competition. Winners will be announced at the film festival in April.
Relax, you don’t have to read them all. And you don’t have to read the entire script. You only have to commit to reading the first 30 pages.
Believe it or not, in those few pages, and with the help of NaFF’s training, you will be able to make an informed decision about the script you are reading. You will be able to assess whether the script has effectively established a main character you care about, a goal for the character, an antagonist or challenge that the main character must overcome, and a whole lot more, from use of dialogue to setting.
I read pages from more than 170 scripts in 2014, including one of the scripts that eventually won a top prize. And I read a number of scripts all the way through. Some because I wanted to know how the story ended, some because I was learning more about the business of script writing, both what was done right and what was wrong.
I’ve been reading off and on for the past couple months, and will ramp up my reading in the months ahead. NaFF receives most of its entries in January as the deadline nears. Trust me, there will be plenty of scripts to go around.
And it’s not too late to get in on the fun.
NaFF needs about 20 more readers to join its ranks. If you live in Middle Tennessee, to get in on the action, all you have to do is attend a reader orientation from 6 to 7:30 p.m. this Thursday, Dec. 4. The 90-minute training session will be led by Harold Loren, a 2014 juror and presenter. The event takes place at Nashville Public Television, 161 Rains Ave., Nashville (near the Tennessee State Fairgrounds).
You don’t have to be a resident to participate. NaFF has readers all across the country, and even in Canada. NaFF can send orientation materials to you and all of the reading and judging is done online. Just email competition manager Josh Escue at firstname.lastname@example.org.
PS: Did I mention that readers can earn tickets to see films at the April 16-25 festival as well as attend a screenwriting training program, as well as after-parties?