Mock crime scene a highlight of Killer Nashville writers’ conference

by G. Robert Frazier

One of the coolest things about the Killer Nashville writers’ conference happening this weekend is the mock crime scene that participants will have an opportunity to solve. Not that crime is cool, of course, but playing amateur sleuth definitely is. And since mystery writers love to make up deadly scenarios with which to challenge their readers, it’s only fair that the tables are turned on them.

Dan Royse, who has many years of experience processing real crime scenes in law enforcement investigations and has overseen the mock murder scene since it began during Killer Nashville’s second year, is again laying out the puzzle pieces for this year’s conference. Like last year’s mystery, the crime is an original creation and not based on actual, true life events as they have been in the past.

Killer Nashville logoRoyse explains part of that has to do with Killer Nashville’s move last year to the prestigious Omni Hotel in downtown Nashville.

“We used hotel boiler rooms, parking garages, mechanical rooms, stairwells, etc. – essentially areas that we were able to clean up afterwards with a mop,” explained Royse, who is assistant director of the Tennessee Bureau of Investigation. “When the venue was changed to the Omni, I had to adapt to the available space, which was a meeting room with very specific rules about keeping the space clean. Since the location always dictates what you are able to do with a mock scene, I had to come up with something that was cleaner, and more about the investigation than the actual crime scene.

“So, it will be original rather than ripped from the headlines, but still interesting,” he promised.

Royse will introduce Killer Nashville attendees to the particulars of the crime beginning at 9:35 Friday morning in Broadway Ballroom E & F at the Omni. The crime scene will open at 10 a.m. in Cumberland 4, where attendees will then have an opportunity to examine, sketch, and search for physical evidence. A series of mock witness interviews will also be available.

Attendees-turned-amateur-sleuths will be able to draw their own conclusions and form a hypothesis of what happened, who they think is responsible for the crime, and what evidence will prove it. Solutions must be turned in by 12:45 p.m. Saturday, when the crime scene will close. One lucky attendee with the right answer will be declared the Dupin Detective Award winner at Saturday night’s dinner and awards banquet.

As a former newspaper journalist who used to pound the police beat daily and as an avid reader of mysteries, I am particularly excited about the mock crime scene. Hey, if Jessica Fletcher, the beloved fictional writer of the hit TV show Murder She Wrote, can outwit the crooks, so can I. Maybe.

While the Killer Nashville International Writers’ Conference caters to readers, writers, and law enforcement professionals, it is open to anyone who wants to attend. If you’re in the Nashville area this weekend, you can still get in on the action. Tickets to attend the day-long panels and parties can still be obtained at the door. For more information on prices and a schedule of events, visit http://www.killernashville.com.

 

 

 

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Killer Nashville packed with informative panels, best-selling authors

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by G. Robert Frazier

This weekend’s Killer Nashville writer’s conference, which actually gets underway Thursday, promises four days of education, networking, and fun for mystery and thriller writers.

Now that I’ve decided to attend (and catch the Austin Film Fest next year), I’m faced with another set of choices. Like many conferences, the event features a number of panels running concurrently with one another, which means I will have to pick and choose which ones to attend and which ones to skip.

Not exactly an easy task, I might add.

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Decision made: Killer Nashville this year, Austin next year

A few weeks ago I had something of a dilemma: Attend the Austin Film Festival or the Killer Nashville writer’s conference. Both are coming up this weekend.

The big difference between the two is that Austin’s writer’s panels focus on screenwriting while Nashville’s is a novel writer’s conference. I’m more than interested in both avenues of writing. I’m working on a mystery-thriller novel and I am writing a couple of screenplays. In other words, I desperately want to attend both conferences.

Austin Film Festival logoMany of my friends suggested Austin as the better of the two, and I certainly was leaning that way as well. It’s been around a lot longer and it’s a much more prestigious conference. I also had earned a conference badge to attend all four days of panels and events at Austin for my work as a reader in its script competition over the summer. You can’t beat free admission, right?

Well, as it turns out, I guess you can.

Unfortunately, I hadn’t planned on attending Austin’s fest this year. I only got the gig reading for the fest thanks to a surprise recommendation from the folks at the Nashville Film Festival, for whom I also am a script reader. I was initially asked to read just twenty scripts in exchange for a one-day conference pass, but I wound up reading over fifty scripts in a two-month period. The folks at Austin upped my reward to a full four-day pass. It was an unexpected privilege and an incredible opportunity, and there began my dilemma.

Killer Nashville logoUntil then I had my sights set on attending the Killer Nashville conference. In fact, I nearly bought my Killer Nashville registration back in the spring (if I had, the whole debate would already have been settled). I held off, partly because I wasn’t sure what my plans would be by the end of October and I didn’t want to make a commitment I wouldn’t be able to keep. And partly because of the cost of admission in the first place. Writer’s conferences aren’t cheap, as you may well know.

Well, as noted above, the decision ultimately boiled down to affordability. Even though admission to Austin was free, I’d still have to find cheap air fare and an inexpensive hotel. But if I stayed too far off the beaten path from downtown, I was afraid I would miss out on a key part of the Austin experience.

The Nashville gig, on the other hand, is right in my backyard. No hotel, no air fare to worry about on short notice. What’s more, there are plenty of panels, a bookcon, agent/editor roundtables, and parties to attend.

I suppose I could have made Austin work with some thrifty shopping, scrimping and saving. Fortunately, AFF competition manager Matt Dy has already extended an invitation for me to read again next year. With that in mind, I feel a bit better about skipping Austin this year. I can plan ahead and make certain I get to Austin next fall.

So, decision made, and one that I am comfortable with. Killer Nashville, here I come.

 

 

Review: Author Todd Moss counts down to excitement in Minute Zero

by G. Robert Frazier

 In the life of every country, at a moment of extreme national disruption, there is a brief period of breakdown, when everything is uncertain. That is the moment to act, to shape events how you want them to go. That is Minute Zero.

Minute ZeroState Department Crisis Manager Judd Ryker is thrown into the midst of just such a scenario in Minute Zero, the new book by Todd Moss (G.P. Putnam’s Sons, $27). Inspired by actual events, the novel highlights the chaos of a national election gone awry in the African country of Zimbabwe. Rudd is tasked with helping steer a political outcome that will benefit the United States, but, unknown to him, he is just a pawn in the political game being played out around him.

The election pits longtime Zimbabwe leader Winston Tinotenda against upstart rebellion leader Gugu Mutonga, and early signs point to a possible victory by Mutonga at the polls. Ryker’s investigation unveils a money trail and secret US support behind the candidates, as well as a scheme to uncover a high-grade uranium mine that could put the weapons-grade material in the wrong hands.

But as the election draws to a close, the country is rocked by a series of events.

Read the full review here.

Book review: Dragonfish weaves noir, memoir into thrilling read

Review by G. Robert Frazier

Dragonfish, like Gone Girl, is two interconnected stories in one – and both are thoroughly engrossing. Written by Vu Tran, the novel is part noir-crime thriller and part literary memoir.

DragonfishAt the heart of both stories is Suzy, a Vietnamese woman haunted by her past and her own inability to find true happiness with either of the men in her life. Her mood swings—from attentive and loving wife to sullen and mysterious stranger—baffle both men, Oakland police officer Robert Ruen and Vietnamese gangster Sonny Van Nguyen, neither of whom can let her go once she decides to leave them. Robert’s off-duty investigation takes him into the seamy warrens of casinos and gambling dens of Las Vegas, with Sonny’s sadistic son “Junior” shadowing his every move.

The story takes on a grim tone of mystery, lost love, and the slim hope of atonement for Robert, who is forever remorseful for having struck Suzy during one of their arguments. That tone is reflected further in Suzy’s own story, told in a collection of letters to her daughter, recounting her journey of discovery from a refugee camp in Malaysia after the fall of Saigon to her life in America.

Read my full review on Killer Nashville’s website.

Additional reading: The immigrant story as noir: Vu Tran’s artistic obsesscions

What’s on your reading list? Mine just grew…again.

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My reading list just grew by two books, courtesy of the folks at Killer Nashville.

First up is Girl Waits With Gun by Amy Stewart, a historical suspense novel about one woman’s efforts to defend her family and way of life against a silk factory owner.

Next on the reading block is Minute Zero, a thriller novel from Todd Moss, who is a former deputy assistant secretary of state. The novel follows State Department crisis manager Judd Ryker on a tale of espionage and intrigue in Zimbabwe.

Looking forward to reading and reviewing both books in the coming weeks. Stay tuned…

What’s on your reading list? Anything you’d recommend?